Monday, April 13, 2015

April 13, 2015 - April 17, 2015 Weekly Agenda for 11th Grade English

Monday, April 13th:

1st Period:

Your rewritten essay and prewrite for the "Smarter Balanced" assessment is due today. 

Watch an instructive video about taking the “Smarter Balanced” assessment.
Then I will give you the rest of the sections to do for your The Great Gatsby In-Class Scaffolded Reading and Figurative Language Handouts. THIS WILL BE DUE ON FRIDAY, APRIL 17TH.

Tomorrow begins three weeks of testing. The schedule will be block scheduling with three two hour classes each day.  We will meet in 502 for testing during this three week period.

Tomorrow’s schedule is:

Tuesday, April 14th:

Periods 5, 1, and 4:

Period  5              8:00 – 10:13
Nutrition             10:13 – 10:28
Period 1              10:34 – 12:32
Lunch                 12:32 -    1:02
Period 4              1:08   -     3:06

The following are the assignments for The Great Gatsby, which will be due on Friday, April 17th:

Pages 163 – 167 (Wolfsheim phone call): In-Class Scaffolded Reading and Figurative Language (ends on “Then a quick squawk as the connection was broken.”)
Pages 167 – 169 (Gatsby’s father): In-Class Scaffolded Reading and Figurative Language (Ends on “I should have known better than to call him.” )
Pages 169 (bottom of page 169) – 172 (Meeting with Wolfsheim): In-Class Scaffolded Reading and Figurative Language (Ends with “And my own rule is to let everything alone.”)
Pages 172 – 175 (Gatsby’s funeral): In-Class Scaffolded Reading and Figurative Language (Ends on “That poor son of a bitch.”)
Pages 175 – 179(Carroway speaking about the difference between the East and the West; his breakup with Jordan; and running into Tom Buchanan in New York): In-Class Scaffolded Reading and Figurative Language
Pages 179 – 180 (The historical promise of the American Dream; one cannot repeat the past nor can one escape the past): In-Class Scaffolded Reading and Figurative Language

Due on Friday, April 17th!  

**************          

Period 2:

Your rewritten essay and pre-write for the "Smarter Balanced" Assessment is due today.

Tomorrow begins three weeks of testing. The schedule will be block scheduling with three two hour classes each day.  We will meet in 502 for testing during this three week period.

Tomorrow's schedule is:

Tuesday, April 14th, and Thursday, April 16th:

Periods 5, 1, and 4

Period  5              8:00 – 10:13
Nutrition             10:13 – 10:28
Period 1              10:34 – 12:32
Lunch                  12:32 -    1:02
Period 4               1:08   -     3:06

Wednesday, April 15th and Friday, April 17th:

Periods 6, 2, and 3

Period 6            8:00 – 10:13
Nutrition           10:13 – 10:28
Period 2            10:34 – 12:32
Lunch                12:32 – 1:02
Period 3            1:08 -  3:06

We will meet in 502 for testing during those testing days.

The following are the assignments for The Bluest Eye which will be due on Friday, April 17th:

Pages 61 – 65: In-Class Scaffolded Reading and Figurative Language Handouts
Pages 65 – 74: In-Class Scaffolded Reading and Figurative Language Handouts
Pages 75 – 80: In-Class Scaffolded Reading and Figurative Language Handouts
Pages 82 – 86: In-Class Scaffolded Reading and Figurative Language Handouts
Pages 87 – 93: In-Class Scaffolded Reading and Figurative Language Handouts
Pages 97 – 101: In-Class Scaffolded Reading and Figurative Language Handouts
Pages 101 – 109: In-Class Scaffolded Reading and Figurative Language Handouts
Pages 110 – 122: In-Class Scaffolded Reading and Figurative Language Handouts

Pages 122 – 126: In-Class Scaffolded Reading and Figurative Language Handouts
Pages 126 – 131: In-Class Scaffolded Reading and Figurative Language Handouts
Pages 131 – 143 (Up to “One of these cousins interested…”): In-Class Scaffolded Reading and Figurative Language Handouts
Pages 143 – 151 (Up to “The fear it produced was enough”): In-Class Scaffolded Reading and Figurative Reading Handouts
Pages 151 – 161: In-Class Scaffolded Reading and Figurative Reading Handouts
Pages 161 – 163: In-Class Scaffolded Reading and Figurative Reading Handouts
Pages 164 – 173 (Up to “…the Maker had not sought his counsel.”): In-Class Scaffolded Reading and Figurative Reading Handouts
Pages 173 – 176 (Up to “….ran out of the yard, and down the walk.”): In-Class Scaffolded Reading and Figurative Reading Handouts

Pages 176 – 183 (Soaphead Church’s letter to God):In-Class Scaffolded Reading and Figurative Reading Handouts
Pages 187 – 192: In-Class Scaffolded Reading and Figurative Reading Handouts
Pages 193 – 204: In-Class Scaffolded Reading and Figurative Reading Handouts
Pages 204 – 206: In-Class Scaffolded Reading and Figurative Reading Handouts 

Tuesday, April 14th: 

First period: 
Smarter Balance Testing in 502 today!

 No 2nd period today due to special Smarter Balance Testing 


Wednesday, April 15th: 

No first period today due to special Smarter Balance Testing 

2nd Period: 
Smarter Balance Testing in 502 today! 










           

                       

Tuesday, April 07, 2015

Scaffolded Reading Model for THE GREAT GATSBY


Name:

Book: THE GREAT GATSBY

Pages: 98-112

Summary:

1.     James Gatz becomes Jay Gatsby. He meets and befriends Dan Cody, an older and very successful businessman who mentors Jay Gatsby.  Ella Kaye cheats Gatsby out of a 25,000 dollar inheritance from Dan Cody. 
2.     Gatsby meets Tom Buchanan for the first time when he and the Sloanes ride over to Gatsby’s mansion. The Sloanes are disdainful of Gatsby but Gatsby doesn’t see it. He thinks that the Sloanes really mean their dinner invitation to him, but they don’t. They think he is beneath them.
3.     Tom and Daisy go to Gatsby’s home for a party. Tom flirts with other women. Daisy is only happy talking and being with Gatsby. At the end of the party, Gatsby, unhappy, tells Nick that Daisy doesn’t understand that he wants her to tell Tom she never loved him.

Critical Thinking and Response:

1.     Why does Tom look down on Gatsby when he doesn’t know him? Tom is a very supercilious man who looks down on everybody! 
      
      He and the  Sloanes are very snobby and they think that people who work for a living and who are not born from a very long line of rich people are not their equals.

2.     Why does Ella Kaye steal $25,000 of Gatsby’s inheritance money when she already got millions from Cody?
     
       It's simple - she's greedy. 
 
3.     Why is Dan Cody so important to Gatsby and to Ella Kaye? 

He mentors Gatsby, teaching him the ropes, opening business, professional and social doors for him. Cody was important to Ella Kay because they had been lovers. It was implied that she had killed him for his money and had inherited many millions from his estate.




April 7, 2015 - April 10, 2015 Weekly Agenda for Contemporary Composition


Monday, April 6th:

No school today.

 

 

Tuesday, April 7th:


1st Period:
Passed out the Smarter Balanced Pre-Write and Essay.  Students must rewrite essay if scored under 180, and redo the Pre-Write if scored under 90.  The work must be typed and will be due no later than Monday, April 13th.
Very few students did the spring break homework.
New policy: 25 bonus points for turning work in on time.
Went over how to do the Scaffolded Reading Log.  Modeled Chapter 7 for them.
Tomorrow go over how to do the Figurative Language Handout.

--------------

2nd Period:
Passed out the Smarter Balanced Pre-Write and Essay.  Students must rewrite essay if scored under 180, and redo the Pre-Write if scored under 90.  The work must be typed and will be due no later than Monday, April 13th.
Very few students did the spring break homework.
New policy: 25 bonus points for turning work in on time.
Students worked independently on their work – reading THE BLUEST EYE and doing the In-Class Scaffolded Reading Log and the Figurative Language Log.

Wednesday, April 8th:


Vocabulary Exercise: Vocabulary words from Chapters 6, 7, and 8 from THE GREAT GATSBY. Words, definitions and the excerpts from the book from which the vocabulary word were taken.
Fill in the blanks in the quotations with the correct vocabulary words.
Divide into tribes of three
Line up
The definitions of the vocabulary words will be read. One person from each team will mark the correct vocabulary word for the definition read.
Go over  figurative language and the figurative language graphic organizer

Read The Great Gatsby

 Do the In-Class Scaffolded Reading Log
The Figurative Language Log
“It was James Gatz who had been loafing along the beach……but it was already Jay Gatsby who borrowed a rowboat…and informed Cody that a wind might catch him and break him up in half an hour.”

James Gatz is being compared to Jay Gatsby

Analysis:
The younger, uneducated, unsophisticated, poor kid is being compared to what he intends to be in the future.  This shows the determination of the young man to be the captain of his fate and to shape who he is and who he will become.

Tone: Strong, Determined, Opportunistic, Clever, Approving

---------------

Period 2:
Went over figurative language
Passed out hand-outs for figurative language and In-class Scaffolded Reading

Models for Quotations for Figurative Language:
Quotation: “You shut up, Bullet-head!”
Page 66
Frieda is comparing Woodrow Cain’s head to a bullet.
Claudia is narrating the incident in which Frieda screams at Woodrow Cain for bullying Pecola.  Frieda is insulting Woodrow, calling him “bullet-headed”, which implies that he is a pointy-headed idiot. (Think about the shape of a bullet with the tall pointy end.)
Tone: Contemptuous, agitated, harsh, bitter, childish, insulting.

Model for How to Do Figurative Language Work Sheet:
Quotation:
Page 111
“Restricted, as a child, as she was to the cocoon of her family’s spinning, she cultivated quiet and private pleasures.”

What is being compared to what?
Polly’s early life with her family is being compared to a cocoon.  A caterpillar spins its cocoon, which covers it in darkness and safety until it emerges later as a butterfly. (However, Polly Breedlove never emerges as a butterfly; she is forever a caterpillar.) What Morrison is saying about Polly is that during her childhood, she was protected by her family and lived a very quiet, restricted life. This is in contrast to her savage, chaotic married life with Cholly.

The tone is soothing, calm, compassionate.

Quotation:
Page 111
“During all her four years of going to school, she was enchanted by numbers and depressed by words.  She missed – without knowing what she missed – paints and crayon.”

What is being compared to what?
In this metaphor and example of imagery, Morrison is saying that Polly was obsessed with counting and keeping track of things, but missed the essence and beauty of the objects she itemized. She could count the brushes and the colors but could not appreciate the beauty of the colors Polly was restricted and limited in imagination.

The tone is ironic.

Students were assigned to do two examples of figurative language from THE BLUEST EYE from page 110 on.



Thursday, April 9th:

1st Period:
8:00 – 8:15:
Work on In-Class Scaffolded Reading and Figurative Language Handouts

Read THE GREAT GATSBY
Pages 162 – 175
Discussion

Go over figurative language

----------------

2nd Period:
Read The Bluest Eye; pages 110 – 114
Discussion and identification of figurative language
For each section have a minimum of four examples of figurative language.

-->

Friday, April 10th:

 8:00 – 8:15: Work on Figurative Language and In-Class Scaffolded Reading
Finish reading THE GREAT GATSBY

 “Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter – tomorrow we will run faster, stretch out our arms farther…. And one fine morning -------
  And so we beat on, boats against the current, borne back ceaselessly into the past.”

What is being compared to what?
We are being compared to boats.
What else is being compared to what else?
The current is the past.
What is the connotation of the phrase “And so we beat on….”
Chelsy: We don’t learn our lessons.
Jaylon: We keep trying. We won’t give up.
Unceasing effort.
If we are fighting the current, then we are fighting the past.

Meaning: We continue, with ceaseless effort, fighting against the past yet borne forever back into our inescapable past.

Tone:

Can we escape our past?
Nick: “You can’t repeat the past.”
Gatsby: “Why, of course, you can!”
Did Gatsby, the master of disguises, the creator of his persona,  completely escape his past? 

---------------------

Period 2:

Read The Bluest Eye; pages 115 – 126
Discussion
Work on the Figurative Language Handout and the In-Class Scaffolded Reading Log





Monday, April 06, 2015

In-Class Reading Scaffolded Graphic Organizer

Name:

Period: 

Date: 

Book/Reading Title: 

Pages Read:

Summary: At least three complete
sentences!

1.

2

3.

4.

5.


Critical Thinking and Response
(Minimum of Three!)

1.

2.

3.

4.

5.

In-Class Reading Scaffolding Sheet

Name: 

Period:

Date:

Book/Reading Title: 

Pages Read:

Summary: At least three complete
sentences!

1.

2

3.

4.

5.

Critical Thinking and Response
(Minimum of Three!)

1.

2.

3.

4.

5.


Thursday, April 02, 2015

The Great Gatsby Vocabulary; Chapters 6 and 7


Appalled: (adjective) struck with fear, dismay. Shocked 
Pervading: (verb) To spread throughout as in a smell or a liquid;  to permeate
Contingency: (noun) a future emergency; an event that may occur but is not likely
Proximity: (noun) nearness in space or time; nearness or closeness in a series; being close or near.
Desolate: (adjective) Devoid of inhabitants; deserted; barren; lifeless
Reveries: (noun) A state of pleasant daydreaming; to be so lost in solitary thought as to be unaware of one’s surroundings 
Dilatory: (adjective) Tending or inclined to delay or waste time.
Sensuous: (adjective) Involving gratification of the five senses: taste, touch, sight, hearing, smell
Elusive: (adjective) Not easily caught or retained. 
Tentatively: (adverb) Not fully agreed upon, indicating a lack of confidence or certainty
Genially: (adverb) In a friendly, pleasant manner
Trimalchio: a character in the Roman work of fiction, Satyricon. Trimalchio, a freed slave who  has attained great wealth through hard work, becomes well known for throwing showy and vulgar dinner parties. 
Ineffable: (adjective) Incapable of being expressed by words; too great or intense to be expressed in words. 
Turbulent: (adj.) Characterized by conflict, disorder, confusion, chaos
Ingratiate: (verb) To make someone like you by doing favors or being particularly agreeable.
Turgid: (adjective) Swollen, congested; tediously bombastic or pompous 
Madame de Maintenon: The French consort of Louis XIV who married him after the death of his first wife; a woman who takes advantage of a man for his  money.
Unsavory: (adjective) Disagreeable and unpleasant because of immorality or lack of ethics; disagreeable or unattractive to the senses.
Oblivious: (adjective) Lacking conscious awareness; unmindful 
Vigil: (noun) A period of staying awake during the time usually spent asleep, especially to keep watch or to pray. 



1. _________: filled with dread, fear, horror, distaste.
“She was ________ by West Egg, this unprecedented place that Broadway had begotten upon a Long Island fishing village - _________ by its raw vigor that chafed under the old euphemisms and by the too obtrusive fate that herded its inhabitants along a short-cut from nothing to nothing."

2. ___________: Involving gratification of the five senses
“She was in her middle thirties, and faintly stout, but she carried her surplus flesh ________ as some women can.”

3. ____________: A character in a Roman work of fiction. A former slave, this character attained great wealth due to hard work, and threw spectacular and gaudy parties for the wealthy. 
“It was  when curiosity about Gatsby was at its highest that the lights in his house failed to go on one Saturday - and, as obscurely as it had begun, his career as _______was over.” 


4. ______________: Intending to be or inclined to be slow or to waste time. 
“Nope.” After a pause, he added “sir.” in a _________, grudging way. 

5. _______________: A future emergency; an event that may happen but is not likely.
“The immediate ___________ overtook him, pulled him back from the edge of the theoretical abyss.” 

6. _______________: Barren, lifeless, crushed by grief
“ ....the woman next to me perspired delicately for a while into her white shirtwaist, and then, as her newspaper dampened under her fingers, lapsed desperately into deep heat with a desolate cry.”

7. ___________: Tediously pompous or bombastic
“The none too savory ramifications by which Ella Kaye, the newspaperwoman, played Madame de Maintenon to his weakness and sent him to sea in a yacht, were common knowledge to the ________ journalism of 1902.” 

8. ___________: To gain favor with someone by deliberate efforts such as doing favors; trying to be particularly likable to someone.” 
“For several weeks I didn’t see him or hear his voice on the phone - mostly I was in New York, trotting around with Jordan and trying to _______ myself with her senile aunt - but finally, I went over to his house one Sunday afternoon.” 

9. ___________: To spread or be diffused throughout
“There were the same people, or at least the same sort of people, the same profusion of champagne, the same many-colored, many-keyed commotion, but I felt an unpleasantness in the air, a _________ harshness that hadn’t been there before.”

10. ___________: Diffusing warmth and friendliness; in a friendly, pleasant manner
“'I read somewhere that the sun’s getting hotter every year,’ said Tom _______."

11. ____________: The region close around a person or thing; nearness in space or time.
“It occurred to me that he had been very slowly bending toward her all evening to attain this ____________ , and even while I watched I saw him stoop one ultimate degree and kiss at her cheek.” 

12. ____________:  A person, an animal or a thing such as a thought that cannot be easily caught or retained. 
“Through all he said, even through his appalling sentimentality, I was reminded of something - an _________ rhythm, a fragment of lost words, that I had heard somewhere a long time ago.”

13. ____________: To keep watch; to stay awake during a time usually spent asleep, especially to pray.
“Over the ashheaps the giant eyes of Doctor T.J. Eckleburg’s faded eyes kept their ____.” 

14. ____________: Lacking conscious awareness of; indifferent; careless of.
“Each night he added to the pattern of his fancies until drowsiness closed down upon some vivid scene with an __________ embrace.” 

15. ____________: A state of pleasant daydreaming; a condition in which one is so absorbed in one’s thoughts, fantasies or daydreams as to be oblivious to one’s actual surroundings. 
“For a while these __________ provided an outlet for his imagination....”

16. ___________: A state of chaos, conflict, turmoil.
“But his heart was in a constant, _________ riot.” 

17. ____________ : Inexpressible; incapable of being expressed by words. Too great or intense to be expressed by words. 
“A universe of _________ gaudiness spun itself out in his brain while the clock ticked on the wash-stand and the moon soaked with wet light his tangled clothes on the floor.”

18. _____________ : Disagreeable due to immorality or lack of ethics
“The ________________ ramifications by which Ella Kaye, the newspaper woman, played ____________________ to his weakness and sent him to sea in a yacht, were common knowledge to the turgid sub-journalism of 1902.” 

19. ______________ : The French consort who married Louis the XlV after the death of his wife; a woman who takes advantage of a man for his money. 
“The ________________ ramifications by which Ella Kaye, the newspaper woman, played _________________ to his weakness and sent him to sea in a yacht, were common knowledge to the turgid sub-journalism of 1902.” 

20. ______________: Indicating hesitation, a lack of certainty
“Jordan and Tom and I got into the front seat of Gatsby’s car. Tom pushed the unfamiliar gears ________ and we shot off into the oppressive heat leaving them out of sight behind.” 




Friday, March 27, 2015

1st Period Great Gatsby Reading Assignments for Scaffolded Reading Log and Figurative Language Log

--> Reading Assignment for 2015 Spring Break: 

Chapter Six:

Pages 97 – 101: In-Class Scaffolded Reading Handout and Figurative Language

Pages 101 – 109: In-Class Scaffolded Reading Handout and Figurative Language

Pages 110 – 111: In-Class Scaffolded Reading Handout and Figurative Language

Chapter Seven:

Pages 113 – 120: In-Class Scaffolded Reading Handout and Figurative Language Handout

Pages 121 – 125: In-Class Scaffolded Reading Handout and Figurative Language

Pages 126 – 136: In-Class Scaffolded Reading Handout and Figurative Language

Pages 136 – 145: In-Class Scaffolded Reading Handout and Figurative Language

Chapter Eight:

Pages 147 – 151: In-Class Scaffolded Reading Handout and Figurative Language

Pages 152 – 155: In-Class Scaffolded Reading Handout and Figurative Language

Pages156 – 160: In-Class Scaffolded Reading Handout and Figurative Language

Pages 160 – 163: In-Class Scaffolded Reading Handout and Figurative Language


Sunday, March 22, 2015

March 23, 2015 - March 27, 2015 Weekly Agenda for Contemporary Composition




Monday, March 23rd:
1st Period:
Password:
8:00 - 8:15
Class is divided into two groups
A representative from each group sits on stage with their backs to the screen.
On the screen is projected a vocabulary word which members from their team give hints to using synonyms, etc.
Peninsula
Suppressed
Tactlessly
Rendered
Gaudily
Innumerable
Reproachfully
Scrutinized
Read THE GREAT GATSBY
As we read we work on the "In-class Scaffolding" and the Figurative Language Graphic Organizers.

For homework read the next five pages

2nd Period:

Password:
Surfeited
Phlegmy
Quenched
Rivulets
Petulant
Epithets

Read THE BLUEST EYE
As we read we work on the "In-class Scaffolding" and the Figurative Language Graphic Organizers





 
Monday, March 23rd:
Password Game: Tactless and Reproachful
Write sentences using the two words
Rewrite of the Friday Vocabulary Test, Gatsby Chapters 1 - 3 Vocabulary Test:
Assigned a rewrite for the vocabulary words given on Friday, Gatsby Vocabulary, Chapters 1 – 3: Write a synonym, antonym, and a grammatically correct sentence correctly using the vocabulary words.  This will be due on Wednesday, March 24th. 50 points for the rewrite.

Writing assignment for The Great Gatsby: Daisy and Gatsby Dialogue; page 88:
Create the scene, complete with dialogue and descriptive narrative, of the meeting between Gatsby and Daisy on page 88. The scene, which is left unwritten by Fitzgerald, occurs in Nick Carraway’s house, between Gatsby and Daisy after a long five-year break in their relationship. A lot has happened within those five years – Gatsby’s time as a soldier in the war, Daisy’s courtship and marriage to Tom, Gatsby’s brief tenure in Europe, Daisy’s pregnancy, Gatsby’s dizzying climb to great wealth, Daisy giving birth to her daughter, and Gatsby’s illegal business dealings with the underworld.  What might they have talked about during those thirty minutes?
The assignment must include dialogue and prose. It should look like two pages out of the novel, The Great Gatsby. 
Rubric: 
The scene should be two pages.
The scene should include both dialogue and prose narrative. (It should look like two pages out of the novel, not a screenplay or a play.)
You may work with your scene partner.
It must be typed. 
This will be due at the beginning of class on Wednesday, March 25th.
Please finish reading Chapter 5 in The Great Gatsby for tonight.

Period 2:
Figurative Language Paper
In-Class Scaffolded Reading Graphic Organizer
Page 56 –61
To be in one’s shoes: to be in someone else’s place or position
Solicitous: to show care, consideration for another
Vengeance: furious, exacting a kind of revenge,
Adept: dexterous, good at something, usually with one’s hands.
Belch: to burp
Page 61
What do we attribute to the season of winter?
Who is speaking on page 61?
Go through the paragraph on page 61, which describes Claudia’s father.
Write the text; write the two things being compared; the qualities the two things share and the tone (what aspect of her father’s face is like the thing and what does this say about her father?).
Text
Two Things Being Compared
Qualities the 2 Things Share
The Tone
What does this comparison reveal about her father?
“His eyes become a cliff of snow threatening to avalanche.
Claudia’s father’s eye and snow threatening to avalanche
Cold and threatening
Cold, foreboding, strong, unrelenting
Her father is strong, cold, forbidding











What is  Claudia’s father’s eyes compared to? A cliff of snow threatening to avalanche. What does this say or imply about Claudia’s father? 
For tonight look up the definitions for the following words: gelid and eddy. Write two grammatically correct sentences each  using the words gelid and eddy.
Vocabulary:
Gelid
Eddy
For tonight look up the following figures of speech, "wolf-killer" and "hawk-killer". These phrases are based on the phrases "Keeping the wolf from the door" (and variations) and "The hawk flies tonight."
Figures of Speech:
Wolf-killer
Hawk fighter
Vulcan: Roman god of fire, and the god of blacksmiths and the forge
Explain the following metaphor:
“And he will not unrazor his lips until spring.”
The graph, the definitions, and the figures of speech  will be due tomorrow Tuesday, March 24th

Tuesday, March 24th: 

1st Period:
Students worked together writing their Daisy and Gatsby scene (page 88). This will be due first thing tomorrow.

2nd Period:
Vocabulary:
Gelid: extremely cold
The Titanic passengers could no longer survive in the gelid waters. (Marlinda)
Eddy: a circular movement of water counter to the main current of water, resulting in a whirlpool.
Jahayra rocks with good definitions and sentences!!!!!
A tsunami can cause deep and dangerous eddies.
Cat: The children swam in a pool of small eddies.
Lupo:
Clarissa: declined
Tyler: As I stared at the river, small eddies formed in the water.
Lupo: As I was washing the dishes, I saw a large whirlpool begin to form as the eddies swirled in the sink.
Went through last night’s homework, page 61; “My daddy’s face is a study…..”Only about four people did it. No one was paying attention. No one cared.
Read pages 61 to 62. Went over “Winter had stiffened itself into a hateful knot.”
“…splintered the knot into silver threads….” “…dull chafe of the previous boredom.”
Discussion of Maureen Peal and Claudia’s contrast of her with Claudia’s father and winter.
“…hint of spring in her sloe green eyes…” “…something summery in her complexion, and a rich autumn ripeness in her walk.”
Assigned the next five pages to read at home for homework. Must do the “In-class Text Scaffolding” and the Figurative Language Graphic Organizer for pages 61 through 67. This is due tomorrow.


 Wednesday, March 25th: 
1st Period: 
Daisy and Gatsby's scene is due today. 
The Gatsby Vocabulary Test Rewrite, Chapters 1 - 3, due today! 

8:00 – 8:15
Read your scene on page 88 between Daisy and Gatsby
Or
Work on your In-class Reading Scaffolding Handout
Or
Work on your Figurative Language Handout on The Great Gatsby

Quick Write: Connotative/Denotative: "My Best Friend"
Connotation: the emotional power of a word
Denotation: the dictionary meaning of a word

­Negative­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­______________Objective________Positive
Whale, Pig, Porky          Overweight        Voluptuous


Write a quick paragraph describing your best friend. Be sure to use powerful, positive connotative words to describe her/him.

Connotative/Denotative “My Best Friend” 

Positive Connotations: 

My best friend is a delightfully short, super cute girl with big, beautiful, brown soulful eyes. She is so cute and little, she looks like a fairy. Everything about her is delicate from her small, graceful shoulders to her cute slender legs.

You just caught your best friend making out with your boyfriend/girlfriend. Now, describe her/him!

Negative Connotations: 

My ex-best friend looks like a pig-troll-dwarf! Her eyes look like mounds of dirt and are constantly pink – like she’s got pink eye! Her shoulders look like twigs ready to snap, and worst of all, she’s got scrawny, skinny chicken legs! She has NO sense of humor at all – it’s like she has no soul!!!!!

Denotative: Objective (Neither good nor bad) 
Audrey's objective description with denotative diction:

My best friend is very short. She used to be taller than me, but now I am taller.  Her hair is reddish-brown and she is Cuban. She has large brown eyes and freckles. 


Kamron and Stephanie read their scene from page 88: the imaginary scene between Daisy and Gatsby.
Christian and Jose read their scene from page 88: the imaginary scene between Daisy and Gatsby. 

Read pages 97 - 98 in The Great Gatsby:

Vocabulary: 
 Laudable: praiseworthy; worthy of high praise or of compliments.
Insidious: capable of doing something evil
Meretricious: pretty but in a cheap flashy way. Seeming to have value but having no real or intrinsic value or worth. 
Altruistic: completely unselfish; without any thought of personal gain.

Question #1: Do you think James Gatz's decision to row out to Dan Cody's yacht was altogether altruistic? What do you think the seventeen-year old James Gatz's intentions were? 

Question #2: What do you think the following quotation means? What does this say about the young seventeen-year old James Gatz? Refer to the text in your answer.

"It was James Gatz who had been loafing along the beach that afternoon in a torn green jersey and a pair of canvas pants, but it was already Jay Gatsby who borrowed a rowboat, pulled out to the Tuolomee, and informed Cody that a wind might catch him and break him up in half an hour."
 

For tomorrow: Go over Platonic Ideal in class tomorrow

Platonic Idea: based on the philosophy of Plato, one of the most important Greek philosophers (born 428 in ancient Greece), who believed that this world, the one we humans inhabit,  was a dim representation of the real world, which existed in a realm of perfection. Everything in this realm, which existed in a place impossible for humans to reach,  was  perfect but the real world, the one in which we live, was a dim, flawed representation or imitation or copy of the perfect realm. 

 Extra Credit for those who turned in their phones:
Stephanie
Audrey
Cynthia
Jasmine
Kamron
Marine
Astrid 

Continue working on your In-class Scaffolded Reading Sheet and your Figurative Language Analysis Sheet. These will be due when we finish Chapter 6. 

Period 2:

Get out your:
 The Bluest Eye
Figurative Language Handout
In-class Reading Scaffold
Pen
Paper 

Title this: The Bluest Eye Creative Writing: Extended Metaphor (page 61)

 Using page 61 in The Bluest Eye, write a short paragraph describing someone you love.  Compare the person you love to something else. This can be a season, or a month, a day of the week, a type of music, food, etc. This is called an extended metaphor. Find the qualities your beloved shares with this thing. Make sure you use examples of imagery, metaphor, personification. Try to write five to six sentences.

Example:

My mother is a spring day. Streaks of white run through her hair like clouds on a cool April morning. Her voice is the sound of a spring rain on the window pane.

Questions to get you started:
How are her eyes like a spring day? How is her skin like a spring day? Her hands? Her walk?

Example:

My brother is a rap song, moving to the sound of his own insistent beat – hard, pounding, relentless. His eyes constantly moving from left to right, right to left, listening to his own inner drum machine, laying down beats – restless, never ceasing – trying to land on something interesting but bored and launching off looking for something else –

Questions to get you started:
How is his voice like a rap sound? How are his eyes like a rap song? How is his skin like a rap song? How is his walk like a rap song?

The Bluest Eye
Vocabulary (page 63)
Equilibrium: a state of balance;
“We looked hard for flaws to restore our equilibrium….”

Fastidious: great care in preparation; done without mistakes; excessive attention to details.
“…where she opened fastidious lunches…” She is Maureen Peal. What does this reveal about Maureen’s home?

Epiphany: a sudden revelation
“Later, a minor epiphany was ours when we discovered that she (Maureen Peal) had a dog tooth – a charming one to be sure – but a dog tooth nonetheless.”

Vocabulary (page 65)
Moult: to shed feathers, hair or skin. Snakes shed or moult skin and birds moult their feathers.  Claudia and Frieda were moulting their winter coats as they were walking home in the warm spring day.
“As we emerged from the school with Maureen, we began to moult immediately.”

Extemporize: to create something off the top of one’s head.
“They had extemporized two insults over which the victim had no control, the color of her skin and  speculations on the sleeping habits of an adult (Pecola’s father). ”

Speculations: forming an opinion or a theory about something without firm evidence.

Macabre: disturbing or horrifying because of its involvement with death or disease or cruelty.
“They (the boys) danced a macabre ballet around the victim (Pecola).”

Gaily: adjective form of the word gay.

Figurative Language:
 “They (the bullying boys) seemed to have taken all of their smoothly cultivated ignorance…sucked it all up into a fiery cone of scorn that had burned for ages in the hollows of their minds – cooled – and spilled over lips of outrage, consuming everything in its path.”

Extended metaphor:
Comparing the boys’ ignorance and self-hatred to hot molten lava or iron.
The tone is angry, scalding, and bitter. 
Morrison is saying that the boys have internalized the racism – the ignorance and the self-hatred – and this is fueling (causing) them to bully Pecola for being even poorer and blacker than they.

For tomorrow: go over the vocabulary and the figurative language. 

Continue working on your In-class Scaffolded Reading Sheet and your Figurative Language Analysis Sheet. These will be due when we reach page 80 in The Bluest Eye. 


Thursday, March 26th: 

1st Period: 

The title  Jay Gatsby, the Platonic Ideal and the American Dream
Question #1:
Do you think James Gatz's decision to row out to Dan Cody's yacht was altogether altruistic? 
What do you think the seventeen-year old James Gatz's intentions were? 

Question #2: What do you think the following quotation means? What does this say about the young seventeen-year old James Gatz? Refer to the text in your answer.

"It was James Gatz who had been loafing along the beach that afternoon in a torn green jersey and a pair of canvas pants, but it was already Jay Gatsby who borrowed a rowboat, pulled out to the Tuolomee, and informed Cody that a wind might catch him and break him up in half an hour."

The following vocabulary words, definitions, and figurative language are necessary to answer question #3. 
 
Vocabulary: 
Meretricious: Flashy, gaudy but intrinsically worthless. Attractive perhaps but of little or no value or worth. 

 Platonic Idea: based on the philosophy of Plato, one of the most important Greek philosophers (born 428 in ancient Greece), who believed that this world, the one we humans inhabit, was a dim representation of the real world, which existed in a realm or another dimension of perfection. Everything in this realm, which existed in a place impossible for humans to reach, was perfect but the world in which we live, was a dim, flawed representation or imitation of the perfect realm.  

Figurative Language: 

Allusion: "...and he must be about His Father's business...." 
This is a reference to the New Testament story in which the young Christ said to his mother, "Know ye not I must be about My Father's business?

Questions #3: On page 98, Fitzgerald writes, “…the truth was that Jay Gatsby….sprang from his Platonic Ideal of himself…..He was a son of God…and he must be about His Father’s business, the service of a vast, vulgar, and meretricious beauty….” What is Fitzgerald saying about Gatsby and the American Dream?

These questions will be due at 8:45, Thursday, March 26th.
Break into your reading groups of three and finish reading Chapter 6. Be sure to work on your Figurative Language paper and your In-Class Scaffolded Reading Log.
            1. You may take turns reading
            2.  One person should be in charge of the figurative language
            3.  Another person should be in charge of the critical reading

Please finish reading Chapter 6 in The Great Gatsby. The Figurative Language Handout and the In-Class Scaffolded Reading Handout will be due.
Period 2:
The Bluest Eye; page 61
Description of Claudia and Frieda’s father:
“Wolf killer turned hawk fighter, he worked night and day to keep one from the door and the other from under the windowsills. A Vulcan guarding the flames, he gave us instructions about which to keep closed or opened for proper distribution of heat, lays kindling by, discusses qualities of coal, and teaches us how to rake, feed, and bank the fire. And he will not unrazor his lips until spring.”

“I gotta keep the wolf away from the door.”
Wolf represents hunger, want, poverty

“The hawk flies tonight” means it is going to be very cold.
The hawk represents extreme cold. 

Vulcan is the Roman god of fire, forges, iron making and blacksmithing.
“A Vulcan guarding the flames….” Claudia’s father is taking care of and instructing his children in how to keep the coals burning in the coal burning stove. The potbelly stove was probably the only source of heat in most of Claudia’s house.

Kindling: small twigs, branches

What does the first paragraph on page 61, beginning with “My daddy’s face is a study....” to “…And he will not unrazor his lips until spring….” reveal about Claudia’s daddy?

Break into groups of three and read to page 80, work on the figurative language and the “In-class Scaffolded Reading Handout”.

Friday, March 27th:

1st Period:
Due today: Chapter Six In-Class Scaffolded Reading Handout and Figurative Language Handout
For Homework over the Break: Please read Chapters Seven and Eight in THE GREAT GATSBY
Chapter Six and do the In-Class Scaffolded Reading Handout and Figurative Language Worksheet for each section. Make sure you have a minimum of four examples of figurative language for each section:
Pages 97 – 101: In-Class Scaffolded Reading Handout and Figurative Language
Pages 101 – 109: In-Class Scaffolded Reading Handout and Figurative Language
Pages 110 – 111: In-Class Scaffolded Reading Handout and Figurative Language
Chapter Seven:
Pages 113 – 120: In-Class Scaffolded Reading Handout and Figurative Language Handout
Pages 121 – 125: In-Class Scaffolded Reading Handout and Figurative Language
Pages 126 – 136: In-Class Scaffolded Reading Handout and Figurative Language
Pages 136 – 145: In-Class Scaffolded Reading Handout and Figurative Language
Chapter Eight:
Pages 147 – 151: In-Class Scaffolded Reading Handout and Figurative Language
Pages 152 – 155: In-Class Scaffolded Reading Handout and Figurative Language
Pages156 – 160: In-Class Scaffolded Reading Handout and Figurative Language
Pages 160 – 162: In-Class Scaffolded Reading Handout and Figurative Language


 Continue doing the Freyer Vocabulary Handout.
Please do the following twenty words from Chapters Six and Seven. For every five extra unfamiliar words you do, you will receive 50  bonus points. This will be due on the day we get back from vacation on Tuesday, April 7th.
Dilatory
Turbulent
Ineffable
Oblivious
Reveries
Unsavory
Turgid
Madame de Maintenon
Ingratiate
Pervading
Genially
Appalled
Proximity
Desolate
Trimalchio
Tentatively
Contingency
Vigil
Sensuous
Eludes

Vocabulary Words:

Period 2:
For home work over the spring break, please read pages 66 – 80, and pages 81 – 93
Please do the In-Class Scaffolded Reading Handout and Figurative Language handouts for the following pages. Make sure that you have a minimum of four examples of figurative language per section: 
Pages 61 – 65: In-Class Scaffolded Reading and Figurative Language Handouts
Pages 65 – 74: In-Class Scaffolded Reading and Figurative Language Handouts
Pages 75 – 80: In-Class Scaffolded Reading and Figurative Language Handouts
Pages 82 – 86: In-Class Scaffolded Reading and Figurative Language Handouts
Pages 87 – 93: In-Class Scaffolded Reading and Figurative Language Handouts
Pages 97 – 101: In-Class Scaffolded Reading and Figurative Language Handouts
Pages 101 – 109: In-Class Scaffolded Reading and Figurative Language Handouts

For the following vocabulary words, please continue the Freyer Vocabulary Model. This assignment is worth 200 points. For every additional five words you do – those words you are unfamiliar with – you will receive 25 bonus points.

Vocabulary Words:
Genuflected
Bemused
Equilibrium
Fastidious
Epiphany
Snickering
Commotion
Moulting
Extemporized
Macabre
Placidly
Acrid
Fretful
Inviolable
Surreptitiously
Satiety
Laurels