Tuesday, April 13, 2010


IN ANOTHER COUNTRY
BY ERNEST HEMINGWAY
PAGE 579
SETTING:
MILAN: A CITY IN THE NORTHERN PART OF ITALY.
DURING WORLD WAR 1; 1914 – 1918

Examples of loneliness and isolation:
The cold wind; the dark streets, the warm glow of the restaurants filled with laughing Italian couples, which exclude the five soldiers walking in the dark on the sidewalk.
The dead animals, the “game”, the deer, the foxes and the birds hanging in the chill wind. the wind is ruffling the foxes’ fur and powdering it with snow.
The soldiers, all officers, are hated by the Italians and jeered at.
The soldiers are wounded and “no longer go to the war”. They go to a hospital each day where they work on miracle machines which will restore their bodies. But they are not working.
The three men are “hawks”. Hawks are predatory animals, birds of prey, which imply strength, courage, brutality. The narrator and the young man whose face was blown off during his first hour on the battle field are not hawks.
There is a distance within the group between the hawks and the other two.
There is a major with a withered hand who is using the machines, but he does not have much faith. The major was Italian.
The narrator was learning Italian from the major.
Why did the major continue with the treatments if he didn’t believe in them?
The machines were new and he was part of the test study.
It was a routine and it provided him with companionship.
He didn’t like it b/c if his hand is cured he will be returned to the war.
Do you do things you don’t believe in?
Why do you think the major is angry one day?
You should never place yourself in a position where you can lose something that you love. Therefore, according to the major, a man should never marry.
His wife died. She is very young.
This is situational irony. It is the middle of the war with a great deal of death, but this young, beautiful and rich woman dies – unexpectedly.
What were the photographs of?
Before and after photos of hands that had been mangled and photos of the hands after they were healed.
The photos were fake.
The machine represented repetition for the major. It was a source of comfort, a comfort zone for him. It also gave him something to do.
Existentialism: the philosophy that we are in charge of our lives; that the universe is indifferent to our lives and to our suffering; that we must find meaning and purpose to our lives. God, if he exists, will not tell us. It is our responsibility to determine our moral codes, and the meaning and purpose of our lives.

Where did the photographs come from?

Go back through the story and find one example which shows each man’s loneliness or isolation:
The three “hawks”
The fourth soldier whose nose was blown off during his first hour on the front line.
The narrator
The major.

IN ANOTHER COUNTRY ANALYSIS
Questions 1, 2, 3, and 4 on page 584; continued from yesterday:




2nd GROUP:
DEPICTION OF LONELINESS:
RELATIONSHIP OF THE MEN
THE DOCTORS LYING TO THE MEN
THE PHYSICAL CONDITION OF THE MEN
SEASON: THE FALL
THE COLD
THE ITALIANS INSIDE THE WARMTH OF THE CAFÉ WHILE THE FOUR MEN ARE OUTSIDE IN THE COLD. THE MEN LOOK INSIDE AND SEE THE COUPLES AND THE FRIENDS INSIDE THE WARMTH OF THE CAFE. THE MEN ARE “OUTSIDE LOOKING IN.”
THE ITALIANS CURSE THE MEN IN THE GROUP.
THE MEN IN THE GROUP ARE NOT REALLY FRIENDS.

3RD GROUP:
THE THEME OF THE STORY, “IN ANOTHER COUNTRY” IS “WAR IS A TRAUMATIC EVENT THAT CAN DESTROY PEOPLE’S LIVES.”
OTHER THEMES:
LIFE IS FILLED WITH LOSS.
WE BLIND OURSELVES TO THE TRUTH.
WE DISTRACT OURSELVES FROM THE TRUTH.
THE MAJOR DISTRACTS HIMSELF FROM HIS PAIN, AND THE TRUTH THAT THE MACHINES DO NOT WORK.

FOURTH GROUP:
GIVE EXAMPLES THAT SHOW THE TERSE STYLE OF HEMINGWAY’S WRITING:
“HE WENT TO SOUTH AMERICA AND WORKED IN A BANK.”
“NOBODY EXPECTED HER TO DIE.”
“ON THE NEXT MACHINE THERE WAS A MAJOR WITH A LITTLE HAND LIKE A BABY.”
HOW DOES THE TERSENESS OF THE DICTION REFLECT THE THEME?
IT IS STRAIGHT TO THE POINT. IT IS NOT FLOWERY OR ORNATE. THE TERSENESS OF THE LANGUAGE FORCES THE READER TO DIG INTO THE TEXT TO DISCOVER THE TRUTH OF THE CHARACTERS AND THEIR EMOTIONS. THE TERSENESS LENDS AN EMOTIONAL DISTANCE TO THE PAIN OF THE CHARACTERS, WHICH ECHOES THE DISTANCE THE CHARACTERS EXPERIENCE WITH EACH OTHER.

Sunday, April 11, 2010



APRIL 12, 2010 - APRIL 16, 2010 WEEKLY AGENDA FOR CONTEMPORATY COMPOSITION



Monday, April 12th:
Warm-up: CST Released Test Questions
“In Another Country” page 584
Answer questions 1 - 5; Vocabulary Study

Tuesday, April 13th:
Shortened day
Please bring your vocabulary book to class today; unit seven will be assigned and will be due on Friday, April 16th.
Warm-up: CST Released Test Questions
Read the biography of T.S. Eliot; read “The Love Song of J. Alfred Prufrock”

Wednesday, April 14th:
I will not be here today.
Read the biography of Eudora Welty; read “A Worn Path”

Thursday, April 15th:
Warm-up: CST Released Test Questions
Finish Eudora Welty’s “A Worn Path”

Friday, April 16th:
Warm-up: CST Released Test Questions
Go over Unit vocabulary homework.
APRIL 5, 2010 - APRIL 9, 2010
WEEKLY AGENDA FOR CONTEMPORARY COMPOSITION

Monday, April 5th:
Break into groups of three to four students; select a poem from the Harlem Renaissance and analyze it in terms of soapstone:
Who is the speaker?
What is the occasion?
Who is the audience?
What is the purpose of the poem?
What is the subject?
What is the tone?


First Group:
A Black Man Talks of Reaping
Libby
Kacey
Ryan
Monse

Second Group:
If We Must Die
Baba
Ellada
Flor
Heady
Speaker: A slave speaker
Occasion: a time in which a slave would die an unjust death
Audience: Speaking to people who have taken them in. Speaking to fellow slaves.
Purpose: to let other slaves know what they are going through; to encourage the other slaves to stay strong.
Subject: To give African Americans hope against injustice. To give hope against a horrible death.
Tone: Urgent
Vocabulary:
Kinsman: a family member
Penned: to be closed in like an animal in a pen.
Inglorious: Not glorious; without dignity; without pride.
Mock; to make fun of
Constrained: forced

Third Group:
The Negro Speaks of Rivers
Miwa
Ceci
Juan
Speaker: An old African woman or man
Occasion: Recording the lives of Africans from the beginning of civilization.
Audience: Other African-Americans
Purpose: to encourage other Africans and to let them know they have a great history.
Subject: Compares their journey to the flow of water, and to the chaos and struggles they have undergone.
Tone: Honorable; majestic, dignified.
Vocabulary:
Congo: the deepest, darkest part of Africa.
Lulled: which means put to sleep or put into a state of inattention, or to lower one’s guard by being put into a state of too much ease and comfort.
Example: She was lulled in to a false state of security.
The mother’s lullaby lulled the baby to sleep.
Lured: means to fool someone into going some place or doing something; usually by the promise of some reward.
Example: The pedophile lured the little girl into his van by offering her some candy and a puppy.
African diaspora: the scattering of a people from its homeland.
Compared the African diaspora to the flow of the rivers. The rivers are a metaphor for the blood that flows in the veins of all Africans, connecting them to their sisters and brothers.


Fourth Group:
Harlem Wine
Jesus
Pablo
Crystal

Fifth Group:
Youth
Maylasia
Ziggy
Jessica

6th Group:
Ma Rainey
Jocelyn
Dominique
Mihran

SOAPSTONES
LOOK AT THE TITLE OF THE POEM
SPEAKER: WHO IS SPEAKING
OCCASION: WHAT IS THE CIRCUMSTANCES OF THE POEM
AUDIENCE: WHO IS THE NARRATOR SPEAKING TO?
PURPOSE: WHAT DOES THE NARRATOR HOPE TO ACCOMPLISH? WHAT EFFECT DOES HE/SHE HOPE TO ACHIEVE?
SUBJECT: WHAT IS THE POEM ABOUT?
TONE: THE ATTITUDE THAT THE NARRATOR HAS TOWARDS THE AUDIENCE OR THE SUBJECT OR THE OCCASION.

Thursday, April 8th:
Read the biography of Ernest Hemingway
Begin reading Hemingway's short story "Another Country"
Comprehension
Vocabulary

Friday, April 9th:
Finish reading the short story "Another Country"

Sunday, March 21, 2010










MARCH 22, 2010 - MARCH 26, 20010
WEEKLY AGENDA
FOR CONTEMPORARY COMPOSITION

Monday, March 22nd:
Finish working on your compare and contrast essay on “Women: Now and Then”.

Tuesday, March 23rd:
Your essay is due today.
Begin reading The Harlem Renaissance (page 512)
Langston Hughes
Arna Bontemps
Claude Mckay
Countee Cullen
Zora Neale Hurston”s “How It Feels to Be Colored Me”

Wednesday, March 24th:
Brown bag collage for “How It Feels to Be Colored Me”
Please bring your WRITER’S CHOICE grammar book to class; pages 519 - 520,“Gerunds and Gerund Phrases”, exercises 9 and 10 will be assigned and will be due on Friday, March 26th.

Thursday, March 25th:
Warm-ups: Write five sentences with gerund phrases using five of your Unit 6 vocabulary words.
Read F. Scott Fitzgerald’s Winter Dreams

Friday, March 26th:
Same as Thursday, March 25th
MARCH 22, 2010 - MARCH 26, 20010
WEEKLY AGENDA
FOR CONTEMPORARY COMPOSITION

Monday, March 22nd:
Finish working on your compare and contrast essay on “Women: Now and Then”.

Tuesday, March 23rd:
Your essay is due today.
Begin reading The Harlem Renaissance (page 512)
Langston Hughes
Arna Bontemps
Claude Mckay
Countee Cullen
Zora Neale Hurston”s “How It Feels to Be Colored Me”

Wednesday, March 24th:
Brown bag collage for “How It Feels to Be Colored Me”
Please bring your WRITER’S CHOICE grammar book to class; pages 519 - 520,“Gerunds and Gerund Phrases”, exercises 9 and 10 will be assigned and will be due on Friday, March 26th.

Thursday, March 25th:
Warm-ups: Write five sentences with gerund phrases using five of your Unit 6 vocabulary words.
Read F. Scott Fitzgerald’s Winter Dreams

Friday, March 26th:
Same as Thursday, March 25th

Saturday, March 06, 2010










MARCH 8, 2010 - MARCH 12, 2010
WEEKLY AGENDA FOR CONTEMPORARY COMPOSITION

Monday, March 8th:
Culminating assignment for “The Revolt of Mother”:
“From Barn to Home”: Using the description of the new barn, imagine you are an architect and draw up a blueprint for turning the barn into a home.
Or for those of you not so graphically inclined:
Using quotations from Sarah, Nanny, Sammy, Adoniram and the minister, write a front page news story about the revolt of the mother.
The culminating assignment will be due on Wednesday, March 10th.

Tuesday, March 9th:
Shortened day.
Your Unit 6 vocabulary homework will be due today.
Read in LITERATURE: An Integrated Study: “Within Limits”, pages 495 - 497; “The Sexual Politics of Sickness”, pages 498 - 499; and “Language History”, page 500.

Wednesday, March 10th:
The culminating assignment on “The Revolt of Mother” is due today.
Read in LITERATURE: An Integrated Study: “Crusade for Justice” by Ida B. Wells-Barnett; pages 482 - 488.
INTEGRATED STUDIES; pages 501 - 506. Compare and Contrast essay: “Update: Women Then and Now”.

Thursday, March 11th:
Work on compare and contrast essay; “Women Then and Now.”

Friday, March 12th:
Finish typing essay in the library.

Saturday, February 27, 2010










MARCH 1, 2010 - MARCH 5, 2010
WEEKLY AGENDA FOR CONTEMPORARY COMPOSITION

Monday, March 1st:
Read “Stretching the Limits” (pages 446 - 447) and
“The Story of an Hour” (pages 449 - 452)
Irony Chart (page 449)
Vocabulary Chart (page 453)
Socratic Circle

Tuesday, March 2nd:
Not a shortened day!
Continue the Socratic Circle on “The Story of an Hour”
Please bring your WRITER’S CHOICE grammar book to class today. “Verbals and Verbal Phrases”: Chapter 12.3; pages 517 - 518; exercises 7 and 8 will be assigned today and will be due on Thursday, March 4th.

Wednesday, March 3rd:
Please bring your VOCABULARY WORKSHOP to class today; Unit 6 will be assigned and will be due on Tuesday, March 9th.
Read ‘The Revolt of Mother”, pages 467 - 479.
Vocabulary Study, pages 480 - 481

Thursday, March 4th:
Go over the grammar homework from Tuesday, “Verbals and Verbal Phrases”; pages 517 - 518; exercises 7 and 8.
Read “The Revolt of Mother”

Friday, March 5th:
Read “The Revolt of Mother”
Culminating Assignments for “The Revolt of Mother”
“From Barn to Home”; using the description of the new barn, imagine you are an architect and draw up a blueprint for turning the barn into a home.
Using quotations from Sarah, Nanny, Sammy and Adoniram, write a front page news story about the the revolt of the mother.

Friday, February 26, 2010










Emily Dickinson Notes for February 25th - February 26th:

Emily Dickinson
“Much Madness is Divinest Sense”
“This is My Letter to the World”
“The Soul Selects Her Own Society”
“Because I Could Not Stop for Death”
“A Bird Came Down the Walk”

Five Poems:
1. You are going to divide into groups of four.
2. You will select one of the five poems above and present the poems to the class.
3. You will first read the poem aloud to the class.
4. You will direct the class’ attention to unusual features of the poem (i.e., capitalization, punctuation, etc.)
5. You will discuss for the class the following:
What the poem is about.
The poem’s theme (a statement the writer is making about the world.)
The speaker
The occasion
The audience
The purpose of the poem
The tone (the attitude of the writer towards the subject.)

Look for the following literary devices:
Metaphor
Simile
Personification
Imagery
Identify them.
What effect do these devices have on the reader?


Much Madness is Divinest Sense
Jesus
Juan
Cesi
Maryori

This is My Letter to the World
Libby
Ellada
Miwa
Malaysia
Dominique
It is a message to the world.
Uses capitalization of News, Nature and Majesty
She uses capitalization to personalize her message. She feels that Nature is the only thing that will listen to her.
She can only feel the power of Nature.
Her is capitalized. Nature is judging her but sweetly.
She feels that society judges her harshly.
This is my Letter to the World is Dickinson’s statement or declaration.

Because I Could Not Stop for Death
Kristal
Yasmina
Braziil
Monserratt
She’s dead. She saw her life passing her by. It seemed only five minutes ago she died but it’s actually been centuries.
Capitalized: Death, Immortality, Civility, Cornice, Centuries, Gossamer, Carriage

Tone: Shifts from bright and light to dark;
In the beginning she is describing what she is seeing on the way to the cemetery: the children playing in the school yard – the same school she probably went to; the same school and scenes she has seen a million times during her life. The scenes she describes are sunny, happy one; yet the poem darkens and the turn occurs on line 12: “We passed the setting sun”. The poem darkens and grows chill “The Dews grew quivering and chill - / for only Gossamer, my gown - / My Tippet – only Tulle –“
Gossamer and tulle are light weight fabric; and the tippit is a light weight shawl, not enough to keep out the evening chill.
The Setting Sun passed us – perhaps life has passed us.
The grave is described as a house, “…that seemed a swelling in the ground.”

Literary devices:
Personification: Death has been personified as a coachman who has stopped the carriage (a hearse which carries the casket to the grave) to pick up the narrator.

Metaphor:
The narrator is seeing the future spin out ahead of the horse's ears as they move towards the grave.

It seems just a few moments ago that they (she and the coachman) were in the coach traveling to the cemetery yet it has been an eternity.

The point of view is of the inhabitant of the grave reflecting on her journey to her permanent home. The poem is in past tense: Because I could not stop for death, he kindly stopped for me.


The Soul Selects her Own Society
Jocelyn
Jessica
Heady
Flor
The narrator wants to express herself but afraid to expose herself to the world. She doesn’t like to show her inner thoughts.
Tone: Melancholic
Capitalization: Door, Society
Purpose: To express who she is in the world she inhabits.
The Soul Selects Her Own Society is Dickinson’s manifesto to the world.
Vocabulary:
Unmoved: not intimidated, not caring, uninterested

What is the door a metaphor for?
What does the word majority mean?
What are the chariots?
What does this line mean,”An Emperor be kneeling upon her Mat – “
Explain the last stanza.


A Bird Came Down the Walk
Iggy
Pablo
Mehran
Ryan
Describing her walk in nature.
Relates to anyone.
Tone: Calm; marveling at the violence and the microcosm of the natural world.
The poem uses nature as a backdrop.
Simile: “They looked like frightened Beads.”
Audience: To anyone who listens.

Theme of "A Bird Came Down the Walk": There is violence and ferocity in nature.
A small bird bites an angleworm in two and eats him (“the fellow”) raw. By choosing to call the worm a fellow, Dickinson immediately personalizes the worm, giving him a personality, an identity and thereby increases the brutality of the casual violence.
The bird, after ripping the fellow apart, then nonchalantly drinks some dew from a “convenient” grass yet steps aside – with seeming politeness - for a beetle. Perhaps the bird’s ravenous hunger has been slated for awhile or the beetle would have been dinner. Everything in nature is predicated on immediate need. There is a hierarchy in nature for the bird, so fierce a predator to the worm, is now frightened of the large mammal, Dickinson, standing in front of him offering him a crumb, “…They (his eyes) looked like frightened beads….”

Imagery:
“Velvet head”; “…unrolled his feathers…;” “…rowed him softer home…”;
“Too silver for a seam – “; “Or Butterflies, off Banks of Noon / Leap, plashless as they swim.”

The air, the dual habitat of the bird, is paralleled to water (“…rowed him softer home…”; “…Oars divide the Ocean,” “…To Silver for a seam” – a wake made by an animal, a fish etc., swimming in water. ”Or Butterflies, off banks of Noon / Leap plashless as they swim.”

The poem goes from the microcosm – of the tiny bird ripping a worm in two and eating the fellow raw - to the macrocosm – the bird has taken flight and is “rowing him softer home than oars dividing the Ocean”.

Vocabulary:
Haste: Speed; quickly, rapidly, with great quickness or urgency.
Leisure: down time; a time of pleasure, rest, ease; kickback

Tuesday, February 16, 2010











FORMAT FOR ESSAY FOR FREDERICK DOUGLASS

OPENING PARAGRAPH:
MUST HAVE THESIS STATEMENT:
NO CLASS OF MAN WITHOUT INSULTING THEIR NATURES, CAN BE CONTENT WITH THE DEPRIVATION OF THEIR RIGHTS.
ANOTHER THESIS STATEMNT:
SOME MEN ARGUE THAT THE ABOLISHMENT OF SLAVERY SHOULD COME BEFORE THE ENFRANCHISEMENT OF THE BLACK SLAVE, BUT FREDERICK DOUGLASS IN HIS ESSAY, “WHAT THE BLACK MAN WANTS”, ARGUES THAT THE BLACK MAN SHOULD BE FREED AND GIVEN THE RIGHT TO VOTE AT THE SAME TIME.
IN THE OPENING PARAGRAPH ONE SHOULD INCLUDE THE TITLE OF THE ESSAY ONE IS WRITING ABOUT AND THE NAME OF THE ESSAY’S AUTHOR.

MINI-TOPIC SENTENCE
1 – 3 SENTENCES DEVELOPING THE MINI-TOPIC SENTENCE.
YOU MUST HAVE CITATIONS FROM THE ESSAY, “WHAT THE BLACK MAN WANTS”.
YOU MUST COMMENT ON THE QUOTATION.

EMBEDDED QUOTATION:
FREDERICK DOUGLASS BELIEVES THAT NOT BEING GIVEN THE RIGHT TO VOTE BRANDS US WITH “...THE STIGMA OF INFERIORITY….”

WHEN ONE USES A QUOTATION THAT IS LESS THAN FOUR LINES, THEN YOU EMBED IT IN THE PARAGRAPH.


DOUGLASS WRITES IN HIS COMPELLING ESSAY,” SHALL WE AT THIS MOMENT JUSTIFY THE DEPRIVATION OF THE NEGRO THE RIGHT TO VOTE, BECAUSE SOMEONE ELSE IS DEPRIVED OF THAT PRIVILEGE?” HIS ANSWER IS A RESOUNDING “NO”.

HE SAYS, “IT MAY BE ASKED,’” WHY DO YOU WANT IT?’”


BLOCK QUOTATION:
YOU USE A BLOCK QUOTATION WHEN THE QUOTATION IS LONGER THAN FOUR LINES:

In the block quotation, you skip a line, indent about 12 spaces, use single spacing and do not use quotation marks.
Then you skip a line when you are finished and go back into the body of the paragraph.

Example of body paragraph:

At the time there were many people who believed that it was unnecessary for the black man to have suffrage for many “men did not have the right to vote and they got along all right.” To this line of thinking, Frederick Douglass was adamantly opposed. He believed that the right to vote was a basic human right, He states, “....” Douglass believes that two wrongs do not make a right; that although ……

Monday, February 15, 2010











WEEKLY AGENDA
FOR
CONTEMPORARY COMPOSITION
FEBRUARY 16 - 19, 2010

Tuesday, February 16th:
Go to library to work on Frederick Douglass essay.

Wednesday, February 17th:
Finish work on essay.
Go over Unit 4 Vocabulary

Thursday, February 18th:
Walt Whitman biography: “Captain, My Captain!” and “Song of Myself”
Project
Break into groups, work on vocabulary word study and present

Friday, February 19th:
Walt Whitman biography: “Captain, My Captain!” and “Song of Myself!”
Project

Monday, February 01, 2010

February 1st - 5th Weekly Agenda for American Literature










WEEKLY AGENDA FOR AMERICAN LITERATURE
FEBRUARY 1st - 5th

Monday, February 1st:
Your grammar on restrictive/nonrestrictive phrases is due today.
Feminist Unit
Read: “Within LImits: The Uprising of Women”
“Language History”
Analysis, Socratic circle

Tuesday, February 2nd:
Please bring your vocabulary book to class today; Unit 6 will be assigned. This will be due on Friday, February 5th.
Read “The Sexual Politics of Sickness”
Analysis; Socratic circle

Wednesday, February 3rd:
Read “The Story of an Hour” (page 450)
Analysis; Socratic circle

Thursday, February 4th:
Begin working on compare and contrast essay (pages 501 - 505)

Friday, February 5th:
Your Unit 6 vocabulary is due today.
Go to library to work on essay.









WEEKLY AGENDA FOR AMERICAN LITERATURE
JANUARY 25th - JANUARY 29th:

Monday, January 25th:
Read background on the Civil War
Read “The Gettysburg Address” (pages 304 - 305)
Read “What the Black Man Wants” (329 - 330)
Analysis; Socratic circle

Tuesday, January 26th:
Please bring your vocabulary book; Unit 5 will be assigned today and will be due on Friday, January 29th.
Read “A Prayer” by Mark Twain
Analysis; Socratic circle

Wednesday, January 27th:
Please bring your grammar book; assignment on restrictive/nonrestrictive phrases will be given. This will be due on Monday, February 1st.
Begin reading “An Occurrence at Owl Creek”.

Thursday, January 28th:
Warm-up: Write five sentences using words from your unit 5 vocabulary with restrictive/nonrestrictive phrases.
Continue reading “An Occurrence at Owl Creek”.

Friday, January 29th:
Poetry:
Walt Whitman: “Song of Myself” and “Captain, My Captain”
“Behind the Blue and Gray” (pages 322-323)
WEEKLY AGENDA FOR AMERICAN LITERATURE
JANUARY 25th - JANUARY 29th:

Monday, January 25th:
Read background on the Civil War
Read “The Gettysburg Address” (pages 304 - 305)
Read “What the Black Man Wants” (329 - 330)
Analysis; Socratic circle

Tuesday, January 26th:
Please bring your vocabulary book; Unit 5 will be assigned today and will be due on Friday, January 29th.
Read “A Prayer” by Mark Twain
Analysis; Socratic circle

Wednesday, January 27th:
Please bring your grammar book; assignment on restrictive/nonrestrictive phrases will be given. This will be due on Monday, February 1st.
Begin reading “An Occurrence at Owl Creek”.

Thursday, January 28th:
Warm-up: Write five sentences using words from your unit 5 vocabulary with restrictive/nonrestrictive phrases.
Continue reading “An Occurrence at Owl Creek”.

Friday, January 29th:
Poetry:
Walt Whitman: “Song of Myself” and “Captain, My Captain”
“Behind the Blue and Gray” (pages 322-323)

Thursday, January 21, 2010

Weekly Agenda for AMERICAN LITERATURE
JANUARY 18th - JANUARY 22nd:

Monday, January 18th:
No school today in observance of Martin Luther King Day.

Tuesday, January 19th:
Go over your grammar homework on appositives.
Continue to go over your “The Cask of Amontillado” handouts
Break into groups of three or four and create short skits showing verbal, dramatic and situational irony.

Wednesday, January 20th:
Present your skits on verbal, dramatic and situational irony.
Your “Cask of Amontillado” handout is due today.

Thursday, January 21st:
Warm-ups: Write five sentences with appositives using your Unit 4 vocabulary.
Read “The Black Cat”
Present “The Black Cat” as reader’s theatre piece.

Friday, January 22nd:
Warm-ups: Write five sentences with appositives using your Unit 4 vocabulary
“The Raven”
Examine what makes “The Raven” so effective: internal rhymes; feminine rhyme scheme; rhythm; imagery; mood.
Answer questions on “The Raven”.

Friday, January 15, 2010

Tuesday, January 19th:
Unit four Vocabulary is due today.
Please bring your WRITER'S CHOICE TODAY; APPOSITIVES WILL BE ASSIGNED TODAY. PAGES 515 - 516; EXERCISES 4 AND 5 WILL BE ASSIGNED. THIS ASSIGNMENT WILL BE DUE ON THURSDAY, JANUARY 21ST.

Saturday, January 09, 2010










WEEKLY AGENDA FOR AMERICAN LITERATURE
JANUARY 11th - JANUARY 15TH

Monday, January 11th:
Read WALDEN by Henry David Thoreau
Examination of maxims, figurative language, etc.

Tuesday, January 12th:
Shortened day!
Please bring your vocabulary book with you today. Unit 4 will be assigned today. This will be due on Friday, January 15th.
Finish up WALDEN

Wednesday, January 13th:
Please bring your grammar book to class today. Appositives will be assigned; THE WRITER'S CHOICE; pages 515 - 516; exercises 4 and 5. This will be due on Tuesday, 19th.
Begin unit on Gothic Literature:
Biography on Edgar Allan Poe

Thursday, January 14th:
Read “The Cask of Amontillado”
Pass out vocabulary/literary handouts for “The Cask of Amontillado”.
Your unit 4 vocabulary is due today. Go over in class.
Once we go over in class, you cannot turn it in late.

Friday, January 15th:
Read “The Cask of Amontillado”
Go over the vocabulary/literary handouts for ‘The Cask of Amontillado”.

Sunday, December 13, 2009










DECEMBER 14th - DECEMBER 18th
SCHEDULE FOR AMERICAN LITERATURE

Monday, December 14th:

Your “Self Reliance” essay is due today. If you do not turn the essay in today, this omission will have serious consequences on your grade for this grading period!
What’s due:
Essay
Rough draft
Notes
Graphic Organizer

Begin reading “Civil Disobedience”.
Take Cornell notes.


Tuesday, December 15th:

Continue reading “Civil Disobedience”
Take Cornell notes.


Wednesday, December 16th:

Write first draft of essay on “Civil Disobedience”.
Prompt: Do you agree or disagree with the basic tenets of “Civil Disobedience”?
Give examples from the text to support your premise.


Thursday, December 17th:

Finish writing the final draft of essay on “Civil Disobedience”.

Pass out “Unscrambling Adverbial Clause”. This will be due in January when we return.



Friday, December 18th:

Please bring your VOCABULARY WORKSHOP; Level F; Unit 4 will be assigned. This will be due in January when we return.

The Goths!

Read Edgar Allen Poe’s THE PIT and the Pendulum

Friday, December 04, 2009










DECEMBER 7th - DECEMBER 11th
WEEKLY SCHEDULE
FOR AMLIT

Monday, December 7th:

Continue working on the district mandated assessment.
Analyze the prompt “Do you agree or disagree with Emerson’s ideas?”
Break into pairs and find Emerson’s central ideas in “Self Reliance”.
Find supporting evidence from the text and write them on the graphic organizer.
Share with class.

Tuesday, December 8th:

Shortened day.

Continuing sharing supporting evidence from the text with the class.
Review essay writing techniques.
Begin work on your essay.

Wednesday, December 9th:

Continue working on the essay.
The essay will be due at the end of the period.

Thursday, December 10th:

Please bring your WRITER’S CHOICE grammar book; an assignment over adjective clauses will be assigned to you and will be due on Tuesday, December 15th.

Begin reading and discussing Henry David Thoreau’s WALDEN.

Friday, December 11th:

Please bring your VOCABULARY WORKSHOP; Level F; Unit 3 will be assigned to you and will be due on Wednesday, December 16th.

Continue reading and discussing WALDEN.

Saturday, November 28, 2009










NOVEMBER 30TH WEEKLY SCHEDULE
for
11th GRADE AMERICAN LITERATURE

Monday, November 30th:
Pair up with your partner(s) and finish up your “maxim” explorations. 
Present the maxim you discovered in Abigail Adam’s letter along with the following answers:

What rule of conduct does the maxim suggest?
Does the maxim express a universal truth?
Is the maxim still relevant today?
Why is it better sometimes to use maxims than straight commands?

Tuesday, December 1st:
Shortened day!

Please bring your WRITER’S CHOICE grammar book; pages 542 - 544; exercises 9 and 10 will be assigned today; This will be due on Friday, December 4th.

Begin reading in INTEGRATED LITERATURE, pages 218 - 224, “American Romanticism”, “Before Reading” and “Self Reliance” by Henry David Thoreau.

For homework: In the text book, INTEGRATED LITERATURE, answer questions 2 and 5 on page 224.
Work on “Literary Focus: Figurative Language” on page 224.

Wednesday, December 2nd:
Read “Before Reading”; page 225;
Read “Walden” by Henry David Thoreau; pages 226 - 230

Thursday, December 3rd:
Read “Civil Disobedience”; page 231 - 233;
On page 234, answer questions 2, 3, 5, 6, 7 and 8.

Friday, December 4th:
On page 235, do “Vocabulary Studies”
Your grammar homework is due today; WRITER’S CHOICE; page 542 - 544; exercises 9 and 10.

Saturday, November 21, 2009










NOVEMBER 23rd WEEKLY AGENDA
FOR
11th GRADE AMERICAN LITERATURE

Monday, November 23rd:
Warm-up: Using five words from Unit 3, write five sentences with adverbial clauses.
Go over Unit 3 vocabulary
Go over your adverbial clause homework.
Break into groups and create one tableau (frozen picture) from a scene in THE CRUCIBLE

Tuesday, November 24th:
Not a shortened day!
Warm-ups: Using five words from Unit 3, write five more sentences with adverbial clauses
Read pages 183 - 185, “Letter to John Adams”; and answer questions 2, 3, and 5 on page 185
Beak into groups and answer “Literary Focus: Maxims” on page 187.

OPEN HOUSE TONIGHT FROM 6 - 8 p.m. Your parents will pick up your midterm report card.

Wednesday, November 25th:
Minimum Day!
Warm-ups: Using five more words from Unit 3, write five more sentences with adverbial
clauses.
Read pages 218 - 224. “American Romanticism”; “Before Reading”; “Self Reliance” by Henry David Thoreau
Answer questions 2 and 5 on page 224
Work on “Literary Focus: Figurative Language” on page 224.

If you are not happy with your essay grade, then you may rewrite the essay incorporating the corrections, staple the rewritten version on top of the original and turn them both in. If the corrections are sufficient, then your grade will be raised one letter: if you made a “c/b” and you rewrite the essay, then the grade will be raised to a “b/a”.

You may also do the rewrites on your tests. Write out the question to which you gave an incorrect response and then write out the correct response on a separate sheet of paper, then staple the rewrite to the test and turn in. The rewrite will earn you one higher letter grade; for example, if you failed the test, the rewrite will earn you a “D”; if you earned a “C” then the rewrite will earn you a “B”.

HAPPY THANKSGIVING!

Sunday, November 15, 2009










WEEKLY AGENDA FOR NOVEMBER 16TH
FOR 11TH GRADE AMERICAN LITERATURE


Monday, November 16th:
Warm-up:
Write five sentences using your vocabulary words from Unit 3.
Begin work on your essay for THE CRUCIBLE.

Tuesday, November 17th:
Shortened day
Warm-up:
Write five more sentences using five different words from Unit 3.
Continue working on your essay for THE CRUCIBLE.

Wednesday, November 18th:
Assign adverbial clauses from your HOLT grammar book. This will be due on Friday, November 20th.
WRITER'S CHOICE; "Adverbial Clause"; pages 545-546; exercises 11 and 12. In exercise 11, just write the adverbial clause; in exercise 12, combine the two sentences with a subordinating conjunction from the list on page 546.
Continue working on your CRUCIBLE essay which will be due on Thursday, November 19th.

Thursday, November 19th:
Warm-up:
Write five sentences with adverbial clauses using five different words from Unit 3.
Your CRUCIBLE essay is due today.

Friday, November 20th:
Warm-up:
Write five sentences with adverbial clauses using five different words from Unit 3.
Read “The Iroquois Constitution”
Read “Letter from Abigail Adams to her Husband, John Adams”









NOVEMBER 16TH WEEKLY AGENDA FOR 11TH GRADE ENGLISH

Monday, November 16th:
Work on your essay for THE CRUCIBLE

ESSAY TOPICS:

1. Examine the use of situational and dramatic irony in Arthur Miller’s play THE CRUCIBLE and how this use contributes to the theme.

EXPLANATION OF THE FOLLOWING TERMS:

SITUATIONAL IRONY occurs when a scene in a play, movie, short story or novel does a 180 and ends in an unexpected way from what one would normally expect. Remember the literature you read in the 9th grade: ROMEO and JULIET; “The Necklace”, “The Sniper” and “The Cask of Amontillado” (which is filled more with dramatic and verbal irony than situational irony - we already know how the story is going to end).

DRAMATIC IRONY occurs when the audience or reader knows something that a character does not know. A good example of this occurs in ROMEO and JULIET when the audience knows that Juliet is not dead, but Romeo, gazing at her lying in the tomb and about to swallow the poison, doesn’t.

THEME is the message or idea that the author is exploring or conveying through the story. One way to determine the theme is by listing the adjectives to describe the main character(s); then list action words which show what the character does in the story; then a list of nouns which are the result of the actions and the characteristics of the characters.

Example: Hypocritical people who misuse the laws will bring misfortune and destruction on others.
Example: Avaricious (greedy) people who hide behind religion for immoral gain will destroy themselves and others.
Example: The gullible and weak will be used by the stronger for destructive purposes.
Example: Those who stand up to misguided or immoral authority will determine their own moral destiny.

These are just a few examples. You may wish to explore your own theories about what THE CRUCIBLE means.

THE REST OF THE ESSAY TOPICS:

2. Explore the use of foils in Arthur Miller’s THE CRUCIBLE. Explore how the use of diametrically opposed characters cast light on the characters and on the larger themes of the play.

EXPLANATION OF TERMS:

FOILS: Two characters of contrasting qualities found in the same play. The author or playwright uses foils in order to reveal the characters and to explore themes. How better to see something dark than by setting something light next to it? The contrast better reveals things about both the dark and the light. This contrast can also lead to better understanding about the themes. How can we understand the nature of evil in isolation? It is easier to understand when shown next to that which is good. The most obvious foil in THE CRUCIBLE would be Abigail and Elizabeth.

ESSAY TOPICS

3. Explore the differences between the events of the play and the actual events of the Salem Witch Trial. (This is worth 200 points because it will involve research.)

4. Explore the background surrounding Arthur Miller’s writing the play THE CRUCIBLE. This will also involve research about the 1950’s Red Scare, the Cold War, and Joe McCarthy. (This is worth 200 points because it will involve research.)

5. Explore the treatment of women in the play THE CRUCIBLE. Explore the “madonna vesus the whore” paradigm set up by Arthur Miller. The women were either saintly or “harlots.” How might the restrictions placed on women and young girls at the time cause some of them to act out? How did the witch trials empower those who were formerly powerless?

6. Explore the real life treatment of women during the Salem Witch Trials. What type of woman was called out as a witch? Why? (This is worth 200 points because it will involve research.)

7. Explore how class and social status affected the Salem Witch Trials. Who was prosecuted as a witch? What type of person was first accused? What happened when the accusations began to reach into the upper classes?

8. What social and religious factors gave rise to the harsh response to witchcraft?



NOVEMBER 16TH WEEKLY AGENDA FOR 11TH GRADE ENGLISH

Monday, November 16th:
Work on your essay for THE CRUCIBLE

ESSAY TOPICS:

1. Examine the use of situational and dramatic irony in Arthur Miller’s play THE CRUCIBLE and how this use contributes to the theme.

EXPLANATION OF THE FOLLOWING TERMS:

SITUATIONAL IRONY occurs when a scene in a play, movie, short story or novel does a 180 and ends in an unexpected way from what one would normally expect. Remember the literature you read in the 9th grade: ROMEO and JULIET; “The Necklace”, “The Sniper” and “The Cask of Amontillado” (which is filled more with dramatic and verbal irony than situational irony - we already know how the story is going to end).

DRAMATIC IRONY occurs when the audience or reader knows something that a character does not know. A good example of this occurs in ROMEO and JULIET when the audience knows that Juliet is not dead, but Romeo, gazing at her lying in the tomb and about to swallow the poison, doesn’t.

THEME is the message or idea that the author is exploring or conveying through the story. One way to determine the theme is by listing the adjectives to describe the main character(s); then list action words which show what the character does in the story; then a list of nouns which are the result of the actions and the characteristics of the characters.

Example: Hypocritical people who misuse the laws will bring misfortune and destruction on others.
Example: Avaricious (greedy) people who hide behind religion for immoral gain will destroy themselves and others.
Example: The gullible and weak will be used by the stronger for destructive purposes.
Example: Those who stand up to misguided or immoral authority will determine their own moral destiny.

These are just a few examples. You may wish to explore your own theories about what THE CRUCIBLE means.

THE REST OF THE ESSAY TOPICS:

Explore the use of foils in Arthur Miller’s THE CRUCIBLE. Explore how the use of diametrically opposed characters cast light on the characters and on the larger themes of the play.

EXPLANATION OF TERMS:

FOILS: Two characters of contrasting qualities found in the same play. The author or playwright uses foils in order to reveal the characters and to explore themes. How better to see something dark than by setting something light next to it? The contrast better reveals things about both the dark and the light. This contrast can also lead to better understanding about the themes. How can we understand the nature of evil in isolation? It is easier to understand when shown next to that which is good. The most obvious foil in THE CRUCIBLE would be Abigail and Elizabeth.

ESSAY TOPICS

Explore the differences between the events of the play and the actual events of the Salem Witch Trial. (This is worth 200 points because it will involve research.)

Explore the background surrounding Arthur Miller’s writing the play THE CRUCIBLE. This will also involve research about the 1950’s Red Scare, the Cold War, and Joe McCarthy. (This is worth 200 points because it will involve research.)

Explore the treatment of women in the play THE CRUCIBLE. Explore the “madonna vesus the whore” paradigm set up by Arthur Miller. The women were either saintly or “harlots.” How might the restrictions placed on women and young girls at the time cause some of them to act out? How did the witch trials empower those who were formerly powerless?

Explore the real life treatment of women during the Salem Witch Trials. What type of woman was called out as a witch? Why? (This is worth 200 points because it will involve research.)

Explore how class and social status affected the Salem Witch Trials. Who was prosecuted as a witch? What type of person was first accused? What happened when the accusations began to reach into the upper classes?

8. What social and religious factors gave rise to the harsh response to witchcraft?

Monday, November 09, 2009

November 9, 2009 Weekly Agenda










11th GRADE AMERICAN LITERATURE
WEEKLY AGENDA
FOR THE WEEK OF
NOVEMBER 09, 2009

Monday, November 9th:
Read Act Four of THE CRUCIBLE

Tuesday, November 10th:
Finish reading THE CRUCIBLE
Your Unit 3 Vocabulary is due today.

Wednesday, November 11th:
NO SCHOOL TODAY!

Thursday, November 12th:
Work on three tableaux for THE CRUCIBLE
Discussion on THE CRUCIBLE

Friday, November 13th:
Begin work on essay for THE CRUCIBLE
A list of essays for THE CRUCIBLE will be given to you on Thursday. We will begin working on the essay in class today.

Sunday, November 01, 2009










November 2nd Weekly Agenda for American Literature

Monday, November 2nd:
Warm-ups: Write five sentences from your unit 2 vocabulary book using subordinate clauses.
Break into groups: one group comprised of the townspeople; the other group comprised of the girls: Abigail and Mary Warren, et al. The townspeople will ask the girls questions; two of the girls will answer in character, but two other girls, posing as the inner conscience of the two girls, will answer truthfully.
Read THE CRUCIBLE

Tuesday, November 3rd:
No shortened day!
Read and act out THE CRUCIBLE

Wednesday, November 4th:
Finish THE CRUCIBLE
Break into groups and create three tableaux representing key scenes from THE CRUCIBLE.

Thursday, November 5th:
Meet in auditorium today.
Please bring your vocabulary book. Unit 3 will be assigned today. This assignment will be due on Tuesday, November 10th.

Friday, November 6th:
Begin discussion of THE CRUCIBLE.
Begin work on the essay for THE CRUCIBLE.

Friday, October 23, 2009










October 26th Weekly Agenda for 11th Grade American Literature

Monday, October 26th:
Assign the text book,INTEGRATED STUDIES, to take home. Make a graph for the following characters: John Proctor, Elizabeth Proctor, Abigail,and Parris. Write what the characters say; what other characters say about them; and what they do.

Read Act 3 in THE CRUCIBLE.

Tuesday, October 27th:
Shortened day.
Read Act 3 in THE CRUCIBLE
Create tableaux from the play. A tableau (ta blow) is a group of actors frozen in a composition of a scene from a painting, a play or a literary piece.

Wednesday, October 28th:
Your grammar book, WRITER'S CHOICE, will be assigned to you today. We will work on subordinate and independent clauses. The assignment is on page 537; exercise 3; numbers 1- 30; "Identifyinig Main and Subordinate Clauses". This will be due on Friday, October 29th.

Continue reading THE CRUCIBLE.

Thursday, October 29th:
Your Unit 2 vocabulary from your VOCABULARY WORKSHOP:Level F is due today.

Directions for doing the vocabulary homework.

Write out the word; the part of speech; the definition, and the phrases (pages 28 - 30);for “Competing the Sentence” write out the correct word; for “Synonyms” write out the phrase, underline the bold faced word or phrase, and then write the correct vocabulary word"; for “Antonyms” write out the phrase, underline the bold faced word or phrase and then write the correct vocabulary word. For “Choosing the Right Word” simply choose the right word and write it.

Continue reading THE CRUCIBLE.

Friday, October 30th:
Your grammar homework is due today.
Continue reading THE CRUCIBLE.

When we finish reading THE CRUCIBLE an essay will be assigned.

Mystery Question: What do you have to do on page 32 for the synonyms?

Sunday, October 11, 2009










11TH GRADE AMERICAN LITERATURE
OCTOBER 12TH WEEKLY AGENDA

Monday, October 12th:
Begin reading THE CRUCIBLE
Begin a character and plot log.

Tuesday, October 13th:
Shortened day!
Grammar handout: Run-ons: pages 73 and 74; exercise 6. This homework assignment will be due on Thursday, October 15th.
Continue reading THE CRUCIBLE.
Continue working on character and plot log.

Wednesday, October 14th:
Warm-ups: Write five sentences using your vocabulary words from Unit One.
Continue reading THE CRUCIBLE.
Continue working on character and plot log.

Thursday, October 15th:
Your grammar handout is due today: “Run-ons”; pages 73 and 74; exercise 6.
Continue reading THE CRUCIBLE.
Continue working on character and plot log.
Act out scenes from THE CRUCIBLE

Friday, October 16th:
Warm-ups: Write five sentences using your vocabulary words from Unit One.
Continue reading THE CRUCIBLE.
Continue working on character and plot log.
When we finish Act One we will work on a tableau for each major scene.

Mystery question: What is due on Thursday?

Sunday, October 04, 2009










OCTOBER 5TH
WEEKLY AGENDA
FOR
11TH GRADE
AMERICAN LITERATURE

Monday, October 5th:

Go over the compare and contrast essay.
Go over the topic sentence.
Go over the introductory paragraph.
Go over the body paragraph

Tuesday, October 6th:

Shortened day!

Your compare and contrast essay is due today.

Break into groups of four, choose five words from your unit one voabulary and create either a song and dance or a skit showing the meaning and the usage of the words. This will be due on Wednesday, October 7th.

Wednesday, October 7th:

Your vocabulary presentations are due today.
This is for a grade and is in lieu of a test.

An assignment from your grammar book, WRITER’S CHOICE, on run-ons will be given today. It will be due on Friday, October 9th.

Thursday, October 8th:

Begin reading THE CRUCIBLE today.

Friday, October 9th:

Continue reading THE CRUCIBLE
Begin a character and plot web on THE CRUCIBLE.

Mystery question: What is due on Tuesday?

Monday, September 28, 2009










September 29th
Weekly Agenda
for
11th Grade American Literature

Tuesday, September 29th:

Shortened day!

Read Jonathan Edwards’ “Sinners in the Hands of an Angry God”. Analysis of Edwards’ literary devices used to scare the heck out of his parishioners.

Wednesday, September 30th:

If we get our WRITER’S CHOICE text book today we will do an assignment for homework on run on sentences. It will be due on Friday or two days from when we get the book.

Break into groups of three or four, choose four vocabulary words from Unit One and begin working on presenting a sketch or a song and dance illustrating the word: the definition and how to use it. You will not get a lot of class time to work on this. We will present these on Friday, October 2nd.

Begin reading THE CRUCIBLE.
Start a character web and time line for THE CRUCIBLE.

Thursday, October 1st:

Read THE CRUCIBLE.
Continue working on our character web and time line for THE CRUCIBLE.

Friday, October 2nd:

Present your vocabulary skits today.

Continue reading THE CRUCIBLE.
Continue working on our character web and time line for THE CRUCIBLE.

Friday, September 18, 2009










SEPTEMBER 21st
WEEKLY AGENDA
FOR
AMERICAN LITERATURE

Monday, September 21st:

Break into groups and finish working on the posters for the presentations:

1st group: page 42; "Corn: the Builder of Cities"

2nd group: page 43;"The Animal That Changed History"

3rd group: page 45: "Language History"

Present the posters and the information to the rest of the class.


Tuesday, September 22nd:

Shortened day.

Read poetry by Anne Bradstreet and Phillis Wheatley and a brief excerpt from an early American woman’s travel journals.


Wednesday, September 23rd:

Your vocabulary unit one is due today.

Remember to:
Write out the word; the part of speech; the definition and the phrase. Under “Completing the Sentence”, just write out the correct vocabulary word; under “Synonyms” and “Antonyms”, write out the words and then write and underline the vocabulary word; under “Choosing the Right Word”, just write the correct vocabulary words.

Read page 44 in LITERATURE: An Integrated Study: “The Gullah Dialect”. The class will break into groups and write a skit employing the “Gullah” dialect which will be presented to the class.


Thursday, September 24th:

Read Samuel Sewell’s “Diary of a Witch Trial” pages 56-57.

Read an excerpt from Benjamin Franklin’s account of a witch trial (from handout).

Break into groups of three and compare and contrast the two versions. On construction paper write three ways they are similar and three ways they differ and present to class.

Friday, September 25th:

Read Jonathan Edwards’ “Sinners in the Hands of an Angry God.”

Sunday, September 13, 2009










SEPTEMBER 14TH AGENDA FOR
11TH GRADE AMERICAN LITERATURE


Monday, September 14th:

Today you will be writing a five paragraph first person narrative based on our reading of “The Interesting Narrative of the Life of Olaudah Equiano”. The essay is from the perspective of a slave on board a ship bound for the New World. The perspective should incorporate the five senses - the sights, the sounds, the smells, the touch and the taste - that are being experiences by the slave. This essay will be due on Tuesday, September 15th.


Tuesday, September 15th:

Shortened Day!

Your essay is due today.

As soon as we receive our VOCABULARY WORKSHOP: LEVEL F; Unit One will be assigned to you.

Read and discuss:
“La Relacion”; pages 14 - 17 in LITERATURE: An Integrated Study; first person narrative from the perspective of the Spanish explorer, Alvar Nunez Cabeza de Vaca.

“Before They Got Thick” page 18 in LITERATURE: An Integrated Study, the Native American perspective of their first encounters with the European conquerors.

Discussion of the differing perspectives of the first encounters of the Native Americans and the European explorers.



Wednesday, September 16th:

Read “The Life of Mary Jemison” (page 34) in the literature text book.


Thursday, September 17th:

Read the poetry of Phyllis Wheatley and Anne Bradstreet.


Friday, September 18th:

Break into groups and make presentations of the following to the rest of the class:

First group: read and make class presentation on “Corn: Builder of Cities” (page 42)
Second group: read and make class presentation on “The Animal that Changed History” (page 43)
Third group: read and make class presentation on “Language History” (page 45)

Saturday, September 12, 2009

American Literature Syllabus










ELEVENTH GRADE
AMERICAN LITERATURE
SYLLABUS

Welcome to the eleventh grade American Literature English class where we will explore American literature, and means of expressing thought through written and verbal communication. This will entail reading, writing essays and creative presentations and of course, grammar and vocabulary.

The books we will use are:

Literature: An Integrated Study
Vocabulary Workshop: Level F
Writer’s Choice (for grammar)

We will read numerous short stories, essays, eye-witness accounts and documents spanning the nation’s history and rich cultural heritage, and we’ll try to work in a few novels along the way. A few of the novels under consideration are:

THE THINGS THEY CARRIED
THE BREAD GIVER
THE BLUEST EYE

You are expected to keep a notebook for my class. A separate three ring binder would be nice - one that you can put papers into (which I will thoughtfully hole-punch for you so that you can put them into your binder). EVERYTHING I GIVE YOU SHOULD BE PUT INTO YOUR NOTEBOOK! That means handouts, your homework, your class work, your tests, your essays - in short, everything you will do or have done in my class should go into your notebook. This acts as protection for both you and me. Sometimes teachers make mistakes (Yes, that does happen. Even with me.) If I forget to record a grade (and that does happen sometimes) then you have proof that you did the work. If you have thrown it away then........there goes your grade. So keep ALL your work in your notebook. At the end of the semester I will check your notebook for organization and completeness. This is a major grade. (And keep it small and lightweight! Those backpacks get heavy!)

Now for the good news: I don’t give homework over the weekend. Now for the bad: I do give homework - lots of homework! But I do give you plenty of time to do it. If you are absent, then you are allowed to turn in the work the next day after your return. So if you are absent on Monday, you return on Tuesday, then you will turn in the work on Wednesday. The week’s work as well as the due dates will be written on the blog. The handouts will be in the baskets on the long table by the door.
The week’s agenda will be posted on the web log at hollywoodhighschool.net. It is up to you to check  the web log on the school’s web site, and the baskets for any work you may have missed during your absence. Saying that you didn’t know about the work is not a valid excuse - it will be posted on the web site, and the hand outs will be on the table.

If you have internet access then you should log onto hollywoodhighschool.net, go to the teacher’s web log and click on my name (Bridges - in case you’ve forgotten) and there you will be able to see an updated agenda for your class. Print out the agenda and - that’s right - put it in your notebook!

Class participation is a must. The class is only going to be as good as we all make it. If you help make the class fun and interesting, yet you have a borderline grade, then that extra class participation grade may make the difference between a lower and a higher grade. So if the only sound we hear from you all semester is light snoring from the back, or your “private” conversation with your neighbor, then you probably will not get a good grade. So don’t fall asleep! Pinch yourself! Engage us - not your text buddy or a neighbor - with an interesting “on-topic” comment or question and your grade just might go up.

Finally, let’s make this a safe environment where everyone feels secure and valued. Let’s respect our differences and realize those are the differences that make the world fascinating and brilliant.

The grading schedule is as follows:

90 - 100 = A
80 - 89 = B
70 - 79 = C
60 - 69 = D
59 - 0 = F

Tests are worth 30%
Essays are worth 30%
Homework is worth 20%
The Notebook is worth 10%
Class participation is worth 10%

Finally, if you are not happy with a grade you have received on an essay, then you may rewrite the essay, incorporating my corrections into your rewritten essay and turn it in for a higher grade of one letter; for example, if you made a “B over C” on an essay, then you may rewrite the essay incorporating my corrections into your writing, and then turn in the essay for an “A over B”. You must turn in your original essay with the corrected essay to get credit.

If you are not happy with a grade you received on a vocabulary test, then you may rewrite the word, write the definition of the word, write the word in a grammatically correct sentence, and your vocabulary test grade will be raised one letter grade. You may raise your grade on any test by writing the question and then writing out the correct answer. You must turn in your original test with the corrected test to get credit.

I am here to help you expand your intellectual horizons, to think critically, to become more aware of the world around you, to grow in appreciation of literature - and to pass with a good grade. I am here to help you. You can make this happen by working with me, and being respectful to everyone in the class, including yourself.

To make this an enjoyable year for all, I ask that you refrain from using your cell phone in class, to listen when others speak, and to always behave in a manner that shows respect for oneself, and the thoughts and humanity of others.

I have read this and understand the requirements of the class.

Student:___________________________________________________________


Parents:___________________________________________________________

Monday, May 25, 2009










MAY 26th - MAY 29th WEEKLY AGENDA FOR 11 GRADE
CONTEMPORARY COMPOSITION

Tuesday, May 26th:
No shortened day today!
Your “Unscrambling Adverbial Clauses” handout is due today, which we will go over.
Work on your outline for your research paper which will be due at the end of the period.
Please refer to WRITER’S CHOICE; 7.2; “Prewriting: Developing an Outline”; pages 330 - 333.

Wednesday, May 27th:
Please bring your VOCABULARY WORKSHOP today. Unit Five will be assigned and will be due on Monday, June 1st.
Begin work on your introductory paragraph of your research paper which I will check and on which I will advise.
Please refer to WRITER’S CHOICE; 7.3; “Drafting”; pages 334-337.

Thursday, May 28th:
Warm-up: Write five sentences with adverbial clauses using your vocabulary words from Unit 5.
Continue working on your research paper.
Begin working on the body paragraphs and working citations into your paper. Please refer to WRITER’S CHOICE; 7.4; “Citing Sources”; pages 338 - 343.

Friday, May 28th:
Warm-up: Write five sentences with adjective clauses using five more words from your Unit 5 vocabulary.
Continue working on the second and third body paragraph of your research paper which I will check.

Sunday, May 17, 2009










MAY 18th - MAY 22nd WEEKLY AGENDA
FOR
11th GRADE CONTEMPORARY COMPOSITION

Tuesday, May 19th:
CST Bell Schedule
3rd Period meets at 2:20, dismisses at 3:08 and lasts forty-eight minutes.
Go over CST preparation.

Wednesday, May 20th:
CST Bell Schedule
3rd Period meets at 2:20, dismisses at 3:08 and lasts forty-eight minutes.
Go over the Unscrambling Adjective Clauses.
Three more notecards are due: at least one note card using direct quotation, at least one with a paraphrase and at least one with a summary.

Friday, May 22nd:
Regular Bell Schedule
Pass out the Unscrambling Adverbial Clause handouts. This will be due on Tuesday, May 26th.
Work on the outline of the research paper. The finished outline will be due on Tuesday, May 26th.

Sunday, May 10, 2009










MAY 11th - MAY 15th 11th Grade Agenda

MONDAY, MAY 11th:
CST Prep
Work on note cards

TUESDAY, MAY 12th:
No Shortened Day!
Correct Unit Four Vocabulary today in class.
CST Prep
Work on note cards

WEDNESDAY, MAY 13th:
CST Prep
Pass out “Unscrambling Adjective Clauses”; this will be due on Friday, May 15th.

THURSDAY, MAY 14th:
CST Prep
Work on thesis statement for research paper.

FRIDAY, MAY 15th:
CST Prep
The “Unscrambling Adjective Clauses” handout is due today.
Work on outline for research paper.

Saturday, May 02, 2009










MAY 4th - MAY 8th WEEKLY AGENDA FOR CONTEMPORARY COMPOSITION

Monday, May 4th:
Go over Unit 3 in Vocabulary Workshop
Work on Research Project Letter which will be due on Tuesday, May 5th.
Please make this a formal letter addressed to me.
Please include the topic you would like to research.
Please write why you want to do this particular topic for your research paper.
List five questions about your topic you would like to find answers to.
Additional information can be found in THE WRITER’S CHOICE; page 329.

Tuesday, May 5th:
Shortened Day.
Present the Research Project Letter.
Begin research in books, journals, newspapers and the internet.
Record your quotations and information on notecards; the format for notecards can be found in WRITER’S CHOICE; page 328.

Wednesday, May 6th:
Vocabulary Unit 4 will be due today. Go over in class.
Continue working on the notecards.
The target number should be a minimum of fifty notecards.
Progressive check ups on work.


Thursday, May 7th:
Warmup: Write five sentences using words from the Unit 4 vocabulary with subordinate clauses.
Go over “The Unscrambling Adjective Clauses” handouts. This will be due on Tuesday, May 12th.
Continue working on the notecards.


Friday, May 8th:
Warmup: Write five more sentences using words from the Unit 4 vocabulary with subordinate clauses.
Turn in notecards for grade.

Saturday, April 25, 2009

Essay Topics for THE BLUEST EYE










SUGGESTED ESSAY TOPICS
FOR
THE BLUEST EYE

1. Analyze how Toni Morrison depicts the ways in which internalized white standards of beauty deform the lives of black girls and women.

2. Analyze the connection between seeing and being seen in THE BLUEST EYE. Note all the references in the book to being watched or the many references to eyes in the novel, the most obvious is the title THE BLUEST EYE. What connection does this have to power - who has it, who doesn’t? What connection does this have to a young girl’s sense of worth or how others may see and value her? Be sure to give specific examples from the book.

3. Most of the female characters in THE BLUEST EYE are emotionally dependent on men in some way except for three notable exceptions: the Maginot Line, China and Poland, the three prostitutes who prey on men. Describe their standing in the community and their attitudes toward themselves and toward each other. What does the prostitutes’ story line seem to say about women and their position in the community?

4. Which is the greatest threat to the children in THE BLUEST EYE, racism or sexism? Give specific examples from the novel to defend your position.

5. To what extent is Cholly to blame for his violence against his family? Which other people or cultural forces might be to blame for his violence? What is the community’s position on blame?

6. The novel, THE BLUEST EYE, has a number of secondary story lines, such as the histories of Geraldine, Junior, Maureen and Soaphead Church, which are intertwined with the main story line of the Breedlove family. Select one of these story lines and explain how it comments on or relates to the main story of Pecola and her family.

7. How does nature function in the story? Is it a benevolent presence against which the events of the novel are contrasted or a potentially malevolent force? Is Morrison’s use of natural imagery hopeful or ironic?

8. Although there are relatively few instances of direct white oppression of blacks in the book, one of the themes in THE BLUEST EYE is the effect of white racism on the black community. Discuss the effect that internalized racism has on the community. Be sure to include specific examples from the novel.









WEEKLY SCHEDULE
APRIL 27th - MAY 1ST
CONTEMPORARY COMPOSITION

Monday, April 27th:
Finish presenting your psychology piece today.
Today, WRITER’S CHOICE, 13.2, pages 536 and 537; “Subordinate Clauses”; exercises 2 and 3 will be assigned. This will be due on Thursday, April 30th.

Tuesday, April 28th:
Shortened Day:
Today you will be given a list of essay topics for THE BLUEST EYE, which we will begin working on today.

Wednesday, April 29th:
Continue working on the essay which will be due at the end of the period, along with your Cornell notes for THE BLUEST EYE.

Thursday, April 30th:
Unit 4 Vocabulary will be assigned today. This will be due on Wednesday, May 6th.
Today we are going to the library to begin working on our research paper. This is a major assignment which will take up the rest of the semester. We will be working out of WRITER’S CHOICES; Unit 7; “Prewriting, Planning and Researching”; pages 324.

Friday, May 1st:
Today you must write a formal list of topics to present today as possibilities for research subjects. You will then begin doing research on your topic and compiling bibliography and note cards (WRITER’S CHOICE, pages 327, 328 and 340, 341 and 342). These will be due on Tuesday, May 4th which I will check for accuracy.

Sunday, April 19, 2009










APRIL 20th - APRIL 24TH WEEKLY AGENDA
FOR 11TH CONTEMPORARY COMPOSITION

Monday, April 20th:
Today we will break into our groups and then begin presenting our “Hot Seats!”
Hot Seat:
Each group, with the five questions for each of the four characters in THE BLUEST EYE will present in front of the rest of the class.
Each student will represent one of the following characters: Pecola, Polly, Cholly or Claudia. The class will ask each student one to three questions about her/his character. The student will answer as that character. The other students in the group will then speak as Toni Morrisson and then answer as the author about that character. Then the next group will get up field questions regarding the four characters.

Tuesday, April 21st:
Shortened day!
Today we will finish “Hot Seat!”
We will break into new groups to read and analyze an article about one of the following topics and how it relates to THE BLUEST EYE: the after effects of rape; the long term effects stemming from the lack of a strong male role model in the lives of children; the dominant cultural definition of beauty and its effect on minorities. On Wednesday we will then present these articles to the rest of the class.

Wednesday, April 22nd:
Presentations of the articles to the rest of the class.

Thursday, April 23rd:
Today you will be given a list of essay topics for THE BLUES EYE which we will then discuss. You will choose one and then begin working on it in class. This essay will be due at the end of class on Friday, April 24th.

Friday, April 24th:
Continue working on your essay.

Sunday, April 12, 2009










APRIL 13th - APRIL 17th AGENDA FOR 11th GRADE ENGLISH

Monday, April 13th:
Break into groups and prepare five questions and answers for the following characters from THE BLUEST EYE: Claudia, Pecola, Cholly, and Polly.

Tuesday, April 14th:
Shortened day!
Please bring your Vocabulary book to class today. Unit Three will be assigned and will be due on Friday, April 17th.
Finish up your group work. We will begin our Hot Seat Presentations.

Wednesday, April 15th:
Today my acting class and I will be going on a field trip to the Pasadena Playhouse. Please work on Writer’s Choice; pages 472. 473, 474 and 475; Conjunctions, Coordinating Conjunctions, Correlative Conjunctions and Subordinating Conjunctions.

Thursday, April 16th:
Go over yesterday’s grammar assignment.
Perform your hot seats!

Friday, April 17th:
Finish your hot seat presentations!
Your Unit Three Vocabulary is due today.

Saturday, March 28, 2009










MARCH 30th - APRIL 3RD WEEKLY AGENDA FOR
11th GRADE CONTEMPORARY COMPOSITION

Monday, March 30th:
Grammar homework will be assigned today: WRITER’S CHOICE; pages 450, 451 and 452; “Action Verbs: transitive and intransitive”; exercises 27, 29, 30 and 31. This assignment will be due on Wednesday, April 1st.
Read and discuss THE BLUEST EYE. Please be sure to do Cornell Notes.

Tuesday, March 31st:
Shortened day!
Warm-up: Write five sentences using your vocabulary words from Unit 2; please write two sentences with transitive verbs and three sentences with intransitive phrases.
Read and discuss THE BLUEST EYE. Please be sure to do Cornell Notes.

Wednesday, April 1st:
Your grammar homework is due today: WRITER’S CHOICE; pages 450, 451 and 452; “Action Verbs: transitive and intransitive”; exercises 27, 29, 30 and 31.
Read and discuss THE BLUEST EYE. Please be sure to do Cornell Notes.

Thursday, April 2nd:
Warm-ups: Write five sentences using five more words from Unit 2; please write three sentences with transitive verbs and two sentences with intransitive verbs.
Read and discuss THE BLUEST EYE. Please be sure to do Cornell Notes.



Friday, April 3rd:
Please be sure to bring your vocabulary book. Unit 3 will be assigned and will be due on April 13th.
When we finish THE BLUEST EYE we will participate in a socratic circle and “Hot Seat!”.

Saturday, March 21, 2009










MARCH 23rd - MARCH 27th WEEKLY AGENDA FOR
11TH GRADE CONTEMPORARY COMPOSITION
Monday, March 23rd:
Your Unit Two Vocabulary is due today which we will go over in class. Remember: once we go over it in class, you cannot turn the work in late.
Read and discuss THE BLUEST EYE. Please work on your Cornell notes.

Tuesday, March 24th:
Shortened day!
Warm-up: Write five sentences using your vocabulary words from Unit 2.
Read and discuss THE BLUEST EYE. Please work on your Cornell notes.

Wednesday, March 25th:
Grammar homework will be assigned today: WRITER’S CHOICE, pages 450, 451 and 452; “Action verbs:transitive and intransitive”; exercises 27, 29, 30 and 31. This assignment will be due on Friday, March 27th.
Read and discuss THE BLUEST EYE. Please work on your Cornell notes.

Thursday, March 26th:
Warm-ups: Write five sentences using vocabulary words from Unit 2 using both transitive and intransitive action verbs.
Read and discuss THE BLUEST EYE. Please work on your Cornell notes.


Friday, March 27th:
Warm-ups: Write five sentences using vocabulary words from Unit 2 using both transitive and intransitive action verbs.
Read and discuss THE BLUEST EYE. Please work on your Cornell notes.
We are nearing the end THE BLUEST EYE. When we are finished, we will do a Socratic circle and “Hot Seat!”