Thursday, June 10, 2010

How to Do Quotations


How to Do Quotations:

You must use at least three quotations from THE THINGS THEY CARRIED. One of the quotations must be embedded; the other one must be a block quotation.

Example of embedded quotation:

Tim O’Brien believes that the men were not operating from courage but rather from a deep-seated fear of shame. He states,”They carried the common secret of cowardice barely restrained, the instinct to run or freeze or hide….” This fear of losing face in front of their soldier-brothers was perhaps the “heaviest burden of all…” for it was a burden that one could never put down and that required “perfect balance and posture.”

How to use quotations within quotations:

O’Brien’s character Rat Kiley “listened for a time, then shook his head.’Man, you must be deaf. She’s already gone.’”
To show a quotation within a quotation, you use a single quotation mark to set off the quotation within the quotation. Then when you are finished with the larger quotation, you use the regular two quotation marks.

David Lee quotes from Shakespeare when he writes in his daily column that “everyone should abide by their own inner law and ‘to thy own self be true.’”

Block quotation:

O’Brien writes:

They carried all the emotional baggage of men who might die.
Grief, terror, love, longing – these
were intangibles, but the intangibles
had their own mass and specific gravity, they had tangible weight.
(page 21)

From this powerful quotation we learn that this is where O’Brien gets the title of his book.

If the quotation is longer than three lines, you must use block quotations.

For block quotations, you must skip a line from the paragraph, indent 12 spaces and use single space. Do not use quotations marks in a block quotation.

To cite the quotation simply put the page number in parentheses. (page 429)

Wednesday, June 09, 2010


Weekly Agenda for Contemporary Composition

June 7, 2010 – June 11, 2010

Wednesday, June 9th:
EVERYONE MUST DO THIS:
Work on the essay for THE THINGS THEY CARRY by Tim O’Brien. This essay, which must include quotations from the book, will be due on Friday, June 11th. There are six prompts to choose from and are listed on the blog for this class, 11th grade English.

Also due on Friday, June 11th are all your books for this class, including THE THINGS THEY CARRY. The books are Vocabulary Workshop, Level F; the grammar book, WRITERS CHOICE; the text book INTEGRATED STUDIES.



FOR YOUR FINAL (which is Thursday, June 17th):

You will write an essay based on the readings from DEAR AMERICA: LETTERS HOME FROM VIETNAM and from LAST NIGHT I DREAMED OF PEACE: The Diary of Dang Thuy Tram. This will be a compare and contrast essay comparing the war experiences of the American G.I. and the young female Viet Cong doctor. How are they alike? How are they different? Compare their attitudes about what they are fighting for. Is it always clear to the American G.I. what he is fighting for? How are they culturally different?

Or:

You may do a presentation on the two readings we did. This may include:
A power point presentation (minimum of five slides); the power point should include some photos. You should also have note cards.
A short (no more than 20% of your total presentation) video or dvd documentary on the war.
Music from the period.
An aspect of the war not covered in the readings:
“Fragging”
Drug use among the American G.I.’s in Vietnam compared with the VietCong.

The presentation must be typed out neatly and presented to me on the day of the presentation.

Students who are doing power point presentations for their finals:

Pablo
Libby
Ellada (maybe)
Dominique
Jessica
Malaysia
Jesus (maybe)
Cesi
Heady
Maryori (maybe)
Mihran (maybe)
Iggy (maybe)

Monday, June 07, 2010


AP ENGLISH LITERATURE SUMMER ASSIGNMENT

Welcome to AP Literature and Composition. Completion of the summer assignment given below is required for participation in the course during the 2010 - 2011 school year. The novels are widely available and may be checked out from your local library or purchased on your own. Students will be required to read two of the following novels and prepare two short analysis papers. There are four novels; you must choose two (any two) of the following four novels. In addition, students should be ready to discuss, write about and/or take an objective exam during the first week of school on the two books you have read.

THE HANDMAID'S TALE

CATCH-22

BRAVE NEW WORLD

1984

WRITTEN ANALYSIS ASSIGNMENT: After reading each novel, complete a short analysis paper. Please note that an analysis must be completed for the two novels you have read. These papers should reflect your own, original thought. The analysis papers are due on the first day of school.

ANALYSIS INSTRUCTION: Choose a two to five page excerpt from the novel that illustrates a key literary element that is essential to an understanding of the text as a whole. This literary element might be the speaker or author's voice, an instance of character development, the novel's symbolism, dialogue, diction, imager or some other literary focus that plays a significant role in developing the novel's theme or message. Photocopy or type the excerpt you have chosen and include it with your analysis.

Write a two-page, typed, double-spaced essay identifying and analyzing the literary element you have chosen, and how it supports the novel's theme. Use short quotations or examples from the excerpt to support your argument.

Essay Topics for The Things They Carried


Essay topics for THE THINGS THEY CARRIED:

1. "The Man I Killed" is the only story that focuses primarily on a Vietnamese character. Why does this shift in focus occur in this particular story? Why are Vietnamese characters largely absent from the rest of the text?

2. Although the work is supposedly about the Vietnam conflict, the final story focuses not on the war but on an episode from O'Brien's childhood. Discuss how this story relates to the stories of the war. What is O'Brien's purpose in ending his collection of stories this way?

3. What do the terms "story-truth" and "happening-truth" mean in the context of the book? How do they differ?

4. Although THE THINGS THEY CARRIED contains a story called "The Man I Killed", it is unclear whether O'Brien actually killed anyone in Viet Nam. What purpose does this ambiguity serve?

5. How does shame fit into O'Brien's portrayal of the war experience?

6. Discuss the structure of the work. Do the stories progress in a linear manner? How does the work's fragmented style contribute to the themes that run through the stories?

7. Compare and contrast Tim O'Brien's and Dang Thuy Tram's attitude towards the war. Dang Thuy Tram was the North Vietnamese doctor who died, along with her patients, in a remote medical camp in a firefight with the Americans. Her journal, which chronicled Dang Thuy Tram's daily struggles of trying to heal the sick and wounded while under constant bombardments, with constant traveling, and inadequate medical supplies, was recovered after the firefight, and after many years of great effort by many people both in the U.S. and Vietnam, was translated and published under the title of Last Night I Dreamed of Peace. 

Sunday, May 16, 2010

May 17, 2010 - May 21, 2010 Weekly Agenda for Contemporary Composition


May 17, 2010 - May 21, 2010
Weekly Agenda for Contemporary Composition




Monday, May 17th:
4th Period: 2:25 - 3:13 p.m. (48 minutes)
Go over grammar homework: gerunds, participles and infinitives, etc.
Read THE THINGS THEY CARRIED

Tuesday, May 18th:
No fourth period today due to CST.

Wednesday, May 19th:
No fourth period today due to CST
Share "The Things Students Carried"
Read THE THINGS THEY CARRY

Thursday, May 20th:
Fourth period 11:57 - 12:45 p.m. (48 minutes)
Share the "Things the Students Carried"
Read THE THINGS THEY CARRIED

Friday, May 21st:
Read THE THINGS THEY CARRIED

Monday, May 10, 2010

Grammar; Writer's Choice:Infinitives









Writer’s Choice: Infinitives
Page 522; exercises 12, 13, 14
To talk: hablar
She loves to talk.
Conjugated verb to talk:
She always talks.
You talk too much.
Infinitive form of the verb:
To talk
To exercise twenty minutes a day is not enough. (subject)
No one wishes to volunteer. (direct object)
Their decision was to merge. (predicate nominative)
Their decision is the subject.
Verb: was (to be form of the verb)
To be
I am (first person form of the verb to be)
You are
He is
We are
They are
To be:
Is, were, was, am
Predicate: is everything that is not the subject. It includes the verb.
The predicate nominative is the noun that occurs in the predicate and that completes the subject.
My favorite animal is a cat.
Subject: My favorite animal
Predicate: is a cat.
Cat is the predicate nominative.
Infinitive: always begins with a “to”.
Object of a preposition: follows the preposition.
A preposition is anything a kitten can do to a table.
In, into, on, around, through, over, under the table, sit behind, inside, above, beside
If a noun follows a preposition, it cannot be the subject.

Pages 522; exercise 13:

1. infinitive phrase: To measure the depths – subject
2. infinitive phrase: to unlock the secrets –
begun is a verb – direct object.

Friday, April 30, 2010

May 3, 2010 - May 7, 2010 Weekly Agenda for Contemporary Composition

MAY 3, 2010 – MAY 7, 2010
WEEKLY AGENDA FOR CONTEMPORARY COMPOSITION

Monday, May 3rd:
CST released test
Read THE THINGS THEY CARRIED

Tuesday, May 4th:
Shortened day
Using your Unit 7 vocabulary words, write five sentences using participial or gerund phrases.
Read THE THINGS THEY CARRIED

Wednesday, May 5th:
Assign Unit 8 Vocabulary; this will be due on Wednesday, May 12th.
Read THE THINGS THEY CARRY

Thursday, May 6th:
Please bring your WRITER’S CHOICE book today; pages 521 - 522; "Infinitives and Infinitive Phrases"; exercises 12, 13, and 14; this assignment will be due on Tuesday, May 11th:
Read THE THINGS THEY CARRY

Friday, May 7th:
CST released test
Read THE THINGS THEY CARRY

Friday, April 23, 2010

Grammar: Gerunds and Participles


GERUNDS and PARTICIPLES

A gerund is a verb that ends in ing and is used as a noun.
Walking and swimming are our favorite forms of exercise.
A gerund phrase is a phrase with a gerund and any complements.
Example:
Waiting in line always makes me impatient.

A participle is a verb that ends with an ing or an ed and is used as an adjective.
Rising prices are hurting the middle class.
To rise is a verb; add an ing to it and put it before a noun and it becomes a participle.

If the verbal comes before a noun, chances are it is a participle.
Example: Katrina was a devastating hurricane.

Exercise 10; page 520; copy the verbal phrase from sentences 1 – 20; Identify it as either a gerund phrase or a participial phrase.

Exercise 11; page 520; select five of the gerund phrases from the sentences from exercise 10 and create your own sentences from them. Make sure they are gerund phrases (used as nouns) and not participial phrases (used as adjectives).

This will be due on Tuesday, April 27th.

Thursday, April 22, 2010

April 26, 2010 - April 30, 2010 Weekly Agenda for Contemporary Composition


April 26, 2010 - April 30, 2010
Weekly Agenda for Contemporary Composition

Monday, April 26th:
Warm-ups:
CST released test
Finish the sharing of "The Things My Classmates Carry"
Creative Writing Assignment:
Write a paragraph modeled on Tim O'Brien's THE THINGS THEY CARRIED
Choose five high school students (they can be real, people you know, or they can be fictional) and write three things they carry in their purses or their backpacks. Each item should reveal something about themselves.
This creative writing assignment will be due on Thursday, April 29th.
Read THE THINGS THEY CARRIED

Tuesday, April 27th:
Shortened Day
Your Writer's Choice is due today; Gerunds and gerund phrases; pages 519 - 520; exercises 10 - 11. Go over in class.
Read THE THINGS THEY CARRIED

Wednesday, April 28th:
Warm-up:
CST released test
Read THE THINGS THEY CARRIED

Thursday, April 29th:
Share with the class your creative writing assignment:"The Things My Classmates Carry".
Read THE THINGS THEY CARRIED

Friday, April 30th:
Warm-up:
Write five sentences with gerunds using five words from you Unit 7 vocabulary.
Read THE THINGS THEY CARRIED

Friday, April 16, 2010

April 19, 2010 - April 23, 2010 Weekly Agenda for 11th Contemporary Composition










April 19, 2010 - April 23, 2010
Weekly Agenda for 11th Contemporary Composition

Monday, April 19th:
CST Warm-ups
Go over Unit 7 Vocabulary
Begin reading THE THINGS THEY CARRIED

Tuesday, April 20th:
CST Warm-ups
Begin reading THE THINGS THEY CARRIED

Wednesday, April 21st:
CST Warm-ups
Bring in backpack or purse with personal items. Share with the rest of class.
Write a paragraph modeled on the paragraph in THE THINGS THEY CARRIED.
Read THE THINGS THEY CARRIED.

Thursday, April 22nd:
CST Warm-ups
Please bring your WRITER’S CHOICE grammar book. Gerunds and gerund phrases will be assigned today. Pages 519 - 520; exercises 10 and 11 will be due on Tuesday, April 27th.
Read THE THINGS THEY CARRIED.

Friday, April 23rd:
CST Warm-ups
Read THE THINGS THEY CARRIED.

Tuesday, April 13, 2010


IN ANOTHER COUNTRY
BY ERNEST HEMINGWAY
PAGE 579
SETTING:
MILAN: A CITY IN THE NORTHERN PART OF ITALY.
DURING WORLD WAR 1; 1914 – 1918

Examples of loneliness and isolation:
The cold wind; the dark streets, the warm glow of the restaurants filled with laughing Italian couples, which exclude the five soldiers walking in the dark on the sidewalk.
The dead animals, the “game”, the deer, the foxes and the birds hanging in the chill wind. the wind is ruffling the foxes’ fur and powdering it with snow.
The soldiers, all officers, are hated by the Italians and jeered at.
The soldiers are wounded and “no longer go to the war”. They go to a hospital each day where they work on miracle machines which will restore their bodies. But they are not working.
The three men are “hawks”. Hawks are predatory animals, birds of prey, which imply strength, courage, brutality. The narrator and the young man whose face was blown off during his first hour on the battle field are not hawks.
There is a distance within the group between the hawks and the other two.
There is a major with a withered hand who is using the machines, but he does not have much faith. The major was Italian.
The narrator was learning Italian from the major.
Why did the major continue with the treatments if he didn’t believe in them?
The machines were new and he was part of the test study.
It was a routine and it provided him with companionship.
He didn’t like it b/c if his hand is cured he will be returned to the war.
Do you do things you don’t believe in?
Why do you think the major is angry one day?
You should never place yourself in a position where you can lose something that you love. Therefore, according to the major, a man should never marry.
His wife died. She is very young.
This is situational irony. It is the middle of the war with a great deal of death, but this young, beautiful and rich woman dies – unexpectedly.
What were the photographs of?
Before and after photos of hands that had been mangled and photos of the hands after they were healed.
The photos were fake.
The machine represented repetition for the major. It was a source of comfort, a comfort zone for him. It also gave him something to do.
Existentialism: the philosophy that we are in charge of our lives; that the universe is indifferent to our lives and to our suffering; that we must find meaning and purpose to our lives. God, if he exists, will not tell us. It is our responsibility to determine our moral codes, and the meaning and purpose of our lives.

Where did the photographs come from?

Go back through the story and find one example which shows each man’s loneliness or isolation:
The three “hawks”
The fourth soldier whose nose was blown off during his first hour on the front line.
The narrator
The major.

IN ANOTHER COUNTRY ANALYSIS
Questions 1, 2, 3, and 4 on page 584; continued from yesterday:




2nd GROUP:
DEPICTION OF LONELINESS:
RELATIONSHIP OF THE MEN
THE DOCTORS LYING TO THE MEN
THE PHYSICAL CONDITION OF THE MEN
SEASON: THE FALL
THE COLD
THE ITALIANS INSIDE THE WARMTH OF THE CAFÉ WHILE THE FOUR MEN ARE OUTSIDE IN THE COLD. THE MEN LOOK INSIDE AND SEE THE COUPLES AND THE FRIENDS INSIDE THE WARMTH OF THE CAFE. THE MEN ARE “OUTSIDE LOOKING IN.”
THE ITALIANS CURSE THE MEN IN THE GROUP.
THE MEN IN THE GROUP ARE NOT REALLY FRIENDS.

3RD GROUP:
THE THEME OF THE STORY, “IN ANOTHER COUNTRY” IS “WAR IS A TRAUMATIC EVENT THAT CAN DESTROY PEOPLE’S LIVES.”
OTHER THEMES:
LIFE IS FILLED WITH LOSS.
WE BLIND OURSELVES TO THE TRUTH.
WE DISTRACT OURSELVES FROM THE TRUTH.
THE MAJOR DISTRACTS HIMSELF FROM HIS PAIN, AND THE TRUTH THAT THE MACHINES DO NOT WORK.

FOURTH GROUP:
GIVE EXAMPLES THAT SHOW THE TERSE STYLE OF HEMINGWAY’S WRITING:
“HE WENT TO SOUTH AMERICA AND WORKED IN A BANK.”
“NOBODY EXPECTED HER TO DIE.”
“ON THE NEXT MACHINE THERE WAS A MAJOR WITH A LITTLE HAND LIKE A BABY.”
HOW DOES THE TERSENESS OF THE DICTION REFLECT THE THEME?
IT IS STRAIGHT TO THE POINT. IT IS NOT FLOWERY OR ORNATE. THE TERSENESS OF THE LANGUAGE FORCES THE READER TO DIG INTO THE TEXT TO DISCOVER THE TRUTH OF THE CHARACTERS AND THEIR EMOTIONS. THE TERSENESS LENDS AN EMOTIONAL DISTANCE TO THE PAIN OF THE CHARACTERS, WHICH ECHOES THE DISTANCE THE CHARACTERS EXPERIENCE WITH EACH OTHER.

Sunday, April 11, 2010



APRIL 12, 2010 - APRIL 16, 2010 WEEKLY AGENDA FOR CONTEMPORATY COMPOSITION



Monday, April 12th:
Warm-up: CST Released Test Questions
“In Another Country” page 584
Answer questions 1 - 5; Vocabulary Study

Tuesday, April 13th:
Shortened day
Please bring your vocabulary book to class today; unit seven will be assigned and will be due on Friday, April 16th.
Warm-up: CST Released Test Questions
Read the biography of T.S. Eliot; read “The Love Song of J. Alfred Prufrock”

Wednesday, April 14th:
I will not be here today.
Read the biography of Eudora Welty; read “A Worn Path”

Thursday, April 15th:
Warm-up: CST Released Test Questions
Finish Eudora Welty’s “A Worn Path”

Friday, April 16th:
Warm-up: CST Released Test Questions
Go over Unit vocabulary homework.
APRIL 5, 2010 - APRIL 9, 2010
WEEKLY AGENDA FOR CONTEMPORARY COMPOSITION

Monday, April 5th:
Break into groups of three to four students; select a poem from the Harlem Renaissance and analyze it in terms of soapstone:
Who is the speaker?
What is the occasion?
Who is the audience?
What is the purpose of the poem?
What is the subject?
What is the tone?


First Group:
A Black Man Talks of Reaping
Libby
Kacey
Ryan
Monse

Second Group:
If We Must Die
Baba
Ellada
Flor
Heady
Speaker: A slave speaker
Occasion: a time in which a slave would die an unjust death
Audience: Speaking to people who have taken them in. Speaking to fellow slaves.
Purpose: to let other slaves know what they are going through; to encourage the other slaves to stay strong.
Subject: To give African Americans hope against injustice. To give hope against a horrible death.
Tone: Urgent
Vocabulary:
Kinsman: a family member
Penned: to be closed in like an animal in a pen.
Inglorious: Not glorious; without dignity; without pride.
Mock; to make fun of
Constrained: forced

Third Group:
The Negro Speaks of Rivers
Miwa
Ceci
Juan
Speaker: An old African woman or man
Occasion: Recording the lives of Africans from the beginning of civilization.
Audience: Other African-Americans
Purpose: to encourage other Africans and to let them know they have a great history.
Subject: Compares their journey to the flow of water, and to the chaos and struggles they have undergone.
Tone: Honorable; majestic, dignified.
Vocabulary:
Congo: the deepest, darkest part of Africa.
Lulled: which means put to sleep or put into a state of inattention, or to lower one’s guard by being put into a state of too much ease and comfort.
Example: She was lulled in to a false state of security.
The mother’s lullaby lulled the baby to sleep.
Lured: means to fool someone into going some place or doing something; usually by the promise of some reward.
Example: The pedophile lured the little girl into his van by offering her some candy and a puppy.
African diaspora: the scattering of a people from its homeland.
Compared the African diaspora to the flow of the rivers. The rivers are a metaphor for the blood that flows in the veins of all Africans, connecting them to their sisters and brothers.


Fourth Group:
Harlem Wine
Jesus
Pablo
Crystal

Fifth Group:
Youth
Maylasia
Ziggy
Jessica

6th Group:
Ma Rainey
Jocelyn
Dominique
Mihran

SOAPSTONES
LOOK AT THE TITLE OF THE POEM
SPEAKER: WHO IS SPEAKING
OCCASION: WHAT IS THE CIRCUMSTANCES OF THE POEM
AUDIENCE: WHO IS THE NARRATOR SPEAKING TO?
PURPOSE: WHAT DOES THE NARRATOR HOPE TO ACCOMPLISH? WHAT EFFECT DOES HE/SHE HOPE TO ACHIEVE?
SUBJECT: WHAT IS THE POEM ABOUT?
TONE: THE ATTITUDE THAT THE NARRATOR HAS TOWARDS THE AUDIENCE OR THE SUBJECT OR THE OCCASION.

Thursday, April 8th:
Read the biography of Ernest Hemingway
Begin reading Hemingway's short story "Another Country"
Comprehension
Vocabulary

Friday, April 9th:
Finish reading the short story "Another Country"

Sunday, March 21, 2010










MARCH 22, 2010 - MARCH 26, 20010
WEEKLY AGENDA
FOR CONTEMPORARY COMPOSITION

Monday, March 22nd:
Finish working on your compare and contrast essay on “Women: Now and Then”.

Tuesday, March 23rd:
Your essay is due today.
Begin reading The Harlem Renaissance (page 512)
Langston Hughes
Arna Bontemps
Claude Mckay
Countee Cullen
Zora Neale Hurston”s “How It Feels to Be Colored Me”

Wednesday, March 24th:
Brown bag collage for “How It Feels to Be Colored Me”
Please bring your WRITER’S CHOICE grammar book to class; pages 519 - 520,“Gerunds and Gerund Phrases”, exercises 9 and 10 will be assigned and will be due on Friday, March 26th.

Thursday, March 25th:
Warm-ups: Write five sentences with gerund phrases using five of your Unit 6 vocabulary words.
Read F. Scott Fitzgerald’s Winter Dreams

Friday, March 26th:
Same as Thursday, March 25th
MARCH 22, 2010 - MARCH 26, 20010
WEEKLY AGENDA
FOR CONTEMPORARY COMPOSITION

Monday, March 22nd:
Finish working on your compare and contrast essay on “Women: Now and Then”.

Tuesday, March 23rd:
Your essay is due today.
Begin reading The Harlem Renaissance (page 512)
Langston Hughes
Arna Bontemps
Claude Mckay
Countee Cullen
Zora Neale Hurston”s “How It Feels to Be Colored Me”

Wednesday, March 24th:
Brown bag collage for “How It Feels to Be Colored Me”
Please bring your WRITER’S CHOICE grammar book to class; pages 519 - 520,“Gerunds and Gerund Phrases”, exercises 9 and 10 will be assigned and will be due on Friday, March 26th.

Thursday, March 25th:
Warm-ups: Write five sentences with gerund phrases using five of your Unit 6 vocabulary words.
Read F. Scott Fitzgerald’s Winter Dreams

Friday, March 26th:
Same as Thursday, March 25th

Saturday, March 06, 2010










MARCH 8, 2010 - MARCH 12, 2010
WEEKLY AGENDA FOR CONTEMPORARY COMPOSITION

Monday, March 8th:
Culminating assignment for “The Revolt of Mother”:
“From Barn to Home”: Using the description of the new barn, imagine you are an architect and draw up a blueprint for turning the barn into a home.
Or for those of you not so graphically inclined:
Using quotations from Sarah, Nanny, Sammy, Adoniram and the minister, write a front page news story about the revolt of the mother.
The culminating assignment will be due on Wednesday, March 10th.

Tuesday, March 9th:
Shortened day.
Your Unit 6 vocabulary homework will be due today.
Read in LITERATURE: An Integrated Study: “Within Limits”, pages 495 - 497; “The Sexual Politics of Sickness”, pages 498 - 499; and “Language History”, page 500.

Wednesday, March 10th:
The culminating assignment on “The Revolt of Mother” is due today.
Read in LITERATURE: An Integrated Study: “Crusade for Justice” by Ida B. Wells-Barnett; pages 482 - 488.
INTEGRATED STUDIES; pages 501 - 506. Compare and Contrast essay: “Update: Women Then and Now”.

Thursday, March 11th:
Work on compare and contrast essay; “Women Then and Now.”

Friday, March 12th:
Finish typing essay in the library.

Saturday, February 27, 2010










MARCH 1, 2010 - MARCH 5, 2010
WEEKLY AGENDA FOR CONTEMPORARY COMPOSITION

Monday, March 1st:
Read “Stretching the Limits” (pages 446 - 447) and
“The Story of an Hour” (pages 449 - 452)
Irony Chart (page 449)
Vocabulary Chart (page 453)
Socratic Circle

Tuesday, March 2nd:
Not a shortened day!
Continue the Socratic Circle on “The Story of an Hour”
Please bring your WRITER’S CHOICE grammar book to class today. “Verbals and Verbal Phrases”: Chapter 12.3; pages 517 - 518; exercises 7 and 8 will be assigned today and will be due on Thursday, March 4th.

Wednesday, March 3rd:
Please bring your VOCABULARY WORKSHOP to class today; Unit 6 will be assigned and will be due on Tuesday, March 9th.
Read ‘The Revolt of Mother”, pages 467 - 479.
Vocabulary Study, pages 480 - 481

Thursday, March 4th:
Go over the grammar homework from Tuesday, “Verbals and Verbal Phrases”; pages 517 - 518; exercises 7 and 8.
Read “The Revolt of Mother”

Friday, March 5th:
Read “The Revolt of Mother”
Culminating Assignments for “The Revolt of Mother”
“From Barn to Home”; using the description of the new barn, imagine you are an architect and draw up a blueprint for turning the barn into a home.
Using quotations from Sarah, Nanny, Sammy and Adoniram, write a front page news story about the the revolt of the mother.

Friday, February 26, 2010










Emily Dickinson Notes for February 25th - February 26th:

Emily Dickinson
“Much Madness is Divinest Sense”
“This is My Letter to the World”
“The Soul Selects Her Own Society”
“Because I Could Not Stop for Death”
“A Bird Came Down the Walk”

Five Poems:
1. You are going to divide into groups of four.
2. You will select one of the five poems above and present the poems to the class.
3. You will first read the poem aloud to the class.
4. You will direct the class’ attention to unusual features of the poem (i.e., capitalization, punctuation, etc.)
5. You will discuss for the class the following:
What the poem is about.
The poem’s theme (a statement the writer is making about the world.)
The speaker
The occasion
The audience
The purpose of the poem
The tone (the attitude of the writer towards the subject.)

Look for the following literary devices:
Metaphor
Simile
Personification
Imagery
Identify them.
What effect do these devices have on the reader?


Much Madness is Divinest Sense
Jesus
Juan
Cesi
Maryori

This is My Letter to the World
Libby
Ellada
Miwa
Malaysia
Dominique
It is a message to the world.
Uses capitalization of News, Nature and Majesty
She uses capitalization to personalize her message. She feels that Nature is the only thing that will listen to her.
She can only feel the power of Nature.
Her is capitalized. Nature is judging her but sweetly.
She feels that society judges her harshly.
This is my Letter to the World is Dickinson’s statement or declaration.

Because I Could Not Stop for Death
Kristal
Yasmina
Braziil
Monserratt
She’s dead. She saw her life passing her by. It seemed only five minutes ago she died but it’s actually been centuries.
Capitalized: Death, Immortality, Civility, Cornice, Centuries, Gossamer, Carriage

Tone: Shifts from bright and light to dark;
In the beginning she is describing what she is seeing on the way to the cemetery: the children playing in the school yard – the same school she probably went to; the same school and scenes she has seen a million times during her life. The scenes she describes are sunny, happy one; yet the poem darkens and the turn occurs on line 12: “We passed the setting sun”. The poem darkens and grows chill “The Dews grew quivering and chill - / for only Gossamer, my gown - / My Tippet – only Tulle –“
Gossamer and tulle are light weight fabric; and the tippit is a light weight shawl, not enough to keep out the evening chill.
The Setting Sun passed us – perhaps life has passed us.
The grave is described as a house, “…that seemed a swelling in the ground.”

Literary devices:
Personification: Death has been personified as a coachman who has stopped the carriage (a hearse which carries the casket to the grave) to pick up the narrator.

Metaphor:
The narrator is seeing the future spin out ahead of the horse's ears as they move towards the grave.

It seems just a few moments ago that they (she and the coachman) were in the coach traveling to the cemetery yet it has been an eternity.

The point of view is of the inhabitant of the grave reflecting on her journey to her permanent home. The poem is in past tense: Because I could not stop for death, he kindly stopped for me.


The Soul Selects her Own Society
Jocelyn
Jessica
Heady
Flor
The narrator wants to express herself but afraid to expose herself to the world. She doesn’t like to show her inner thoughts.
Tone: Melancholic
Capitalization: Door, Society
Purpose: To express who she is in the world she inhabits.
The Soul Selects Her Own Society is Dickinson’s manifesto to the world.
Vocabulary:
Unmoved: not intimidated, not caring, uninterested

What is the door a metaphor for?
What does the word majority mean?
What are the chariots?
What does this line mean,”An Emperor be kneeling upon her Mat – “
Explain the last stanza.


A Bird Came Down the Walk
Iggy
Pablo
Mehran
Ryan
Describing her walk in nature.
Relates to anyone.
Tone: Calm; marveling at the violence and the microcosm of the natural world.
The poem uses nature as a backdrop.
Simile: “They looked like frightened Beads.”
Audience: To anyone who listens.

Theme of "A Bird Came Down the Walk": There is violence and ferocity in nature.
A small bird bites an angleworm in two and eats him (“the fellow”) raw. By choosing to call the worm a fellow, Dickinson immediately personalizes the worm, giving him a personality, an identity and thereby increases the brutality of the casual violence.
The bird, after ripping the fellow apart, then nonchalantly drinks some dew from a “convenient” grass yet steps aside – with seeming politeness - for a beetle. Perhaps the bird’s ravenous hunger has been slated for awhile or the beetle would have been dinner. Everything in nature is predicated on immediate need. There is a hierarchy in nature for the bird, so fierce a predator to the worm, is now frightened of the large mammal, Dickinson, standing in front of him offering him a crumb, “…They (his eyes) looked like frightened beads….”

Imagery:
“Velvet head”; “…unrolled his feathers…;” “…rowed him softer home…”;
“Too silver for a seam – “; “Or Butterflies, off Banks of Noon / Leap, plashless as they swim.”

The air, the dual habitat of the bird, is paralleled to water (“…rowed him softer home…”; “…Oars divide the Ocean,” “…To Silver for a seam” – a wake made by an animal, a fish etc., swimming in water. ”Or Butterflies, off banks of Noon / Leap plashless as they swim.”

The poem goes from the microcosm – of the tiny bird ripping a worm in two and eating the fellow raw - to the macrocosm – the bird has taken flight and is “rowing him softer home than oars dividing the Ocean”.

Vocabulary:
Haste: Speed; quickly, rapidly, with great quickness or urgency.
Leisure: down time; a time of pleasure, rest, ease; kickback

Tuesday, February 16, 2010











FORMAT FOR ESSAY FOR FREDERICK DOUGLASS

OPENING PARAGRAPH:
MUST HAVE THESIS STATEMENT:
NO CLASS OF MAN WITHOUT INSULTING THEIR NATURES, CAN BE CONTENT WITH THE DEPRIVATION OF THEIR RIGHTS.
ANOTHER THESIS STATEMNT:
SOME MEN ARGUE THAT THE ABOLISHMENT OF SLAVERY SHOULD COME BEFORE THE ENFRANCHISEMENT OF THE BLACK SLAVE, BUT FREDERICK DOUGLASS IN HIS ESSAY, “WHAT THE BLACK MAN WANTS”, ARGUES THAT THE BLACK MAN SHOULD BE FREED AND GIVEN THE RIGHT TO VOTE AT THE SAME TIME.
IN THE OPENING PARAGRAPH ONE SHOULD INCLUDE THE TITLE OF THE ESSAY ONE IS WRITING ABOUT AND THE NAME OF THE ESSAY’S AUTHOR.

MINI-TOPIC SENTENCE
1 – 3 SENTENCES DEVELOPING THE MINI-TOPIC SENTENCE.
YOU MUST HAVE CITATIONS FROM THE ESSAY, “WHAT THE BLACK MAN WANTS”.
YOU MUST COMMENT ON THE QUOTATION.

EMBEDDED QUOTATION:
FREDERICK DOUGLASS BELIEVES THAT NOT BEING GIVEN THE RIGHT TO VOTE BRANDS US WITH “...THE STIGMA OF INFERIORITY….”

WHEN ONE USES A QUOTATION THAT IS LESS THAN FOUR LINES, THEN YOU EMBED IT IN THE PARAGRAPH.


DOUGLASS WRITES IN HIS COMPELLING ESSAY,” SHALL WE AT THIS MOMENT JUSTIFY THE DEPRIVATION OF THE NEGRO THE RIGHT TO VOTE, BECAUSE SOMEONE ELSE IS DEPRIVED OF THAT PRIVILEGE?” HIS ANSWER IS A RESOUNDING “NO”.

HE SAYS, “IT MAY BE ASKED,’” WHY DO YOU WANT IT?’”


BLOCK QUOTATION:
YOU USE A BLOCK QUOTATION WHEN THE QUOTATION IS LONGER THAN FOUR LINES:

In the block quotation, you skip a line, indent about 12 spaces, use single spacing and do not use quotation marks.
Then you skip a line when you are finished and go back into the body of the paragraph.

Example of body paragraph:

At the time there were many people who believed that it was unnecessary for the black man to have suffrage for many “men did not have the right to vote and they got along all right.” To this line of thinking, Frederick Douglass was adamantly opposed. He believed that the right to vote was a basic human right, He states, “....” Douglass believes that two wrongs do not make a right; that although ……

Monday, February 15, 2010











WEEKLY AGENDA
FOR
CONTEMPORARY COMPOSITION
FEBRUARY 16 - 19, 2010

Tuesday, February 16th:
Go to library to work on Frederick Douglass essay.

Wednesday, February 17th:
Finish work on essay.
Go over Unit 4 Vocabulary

Thursday, February 18th:
Walt Whitman biography: “Captain, My Captain!” and “Song of Myself”
Project
Break into groups, work on vocabulary word study and present

Friday, February 19th:
Walt Whitman biography: “Captain, My Captain!” and “Song of Myself!”
Project

Monday, February 01, 2010

February 1st - 5th Weekly Agenda for American Literature










WEEKLY AGENDA FOR AMERICAN LITERATURE
FEBRUARY 1st - 5th

Monday, February 1st:
Your grammar on restrictive/nonrestrictive phrases is due today.
Feminist Unit
Read: “Within LImits: The Uprising of Women”
“Language History”
Analysis, Socratic circle

Tuesday, February 2nd:
Please bring your vocabulary book to class today; Unit 6 will be assigned. This will be due on Friday, February 5th.
Read “The Sexual Politics of Sickness”
Analysis; Socratic circle

Wednesday, February 3rd:
Read “The Story of an Hour” (page 450)
Analysis; Socratic circle

Thursday, February 4th:
Begin working on compare and contrast essay (pages 501 - 505)

Friday, February 5th:
Your Unit 6 vocabulary is due today.
Go to library to work on essay.









WEEKLY AGENDA FOR AMERICAN LITERATURE
JANUARY 25th - JANUARY 29th:

Monday, January 25th:
Read background on the Civil War
Read “The Gettysburg Address” (pages 304 - 305)
Read “What the Black Man Wants” (329 - 330)
Analysis; Socratic circle

Tuesday, January 26th:
Please bring your vocabulary book; Unit 5 will be assigned today and will be due on Friday, January 29th.
Read “A Prayer” by Mark Twain
Analysis; Socratic circle

Wednesday, January 27th:
Please bring your grammar book; assignment on restrictive/nonrestrictive phrases will be given. This will be due on Monday, February 1st.
Begin reading “An Occurrence at Owl Creek”.

Thursday, January 28th:
Warm-up: Write five sentences using words from your unit 5 vocabulary with restrictive/nonrestrictive phrases.
Continue reading “An Occurrence at Owl Creek”.

Friday, January 29th:
Poetry:
Walt Whitman: “Song of Myself” and “Captain, My Captain”
“Behind the Blue and Gray” (pages 322-323)
WEEKLY AGENDA FOR AMERICAN LITERATURE
JANUARY 25th - JANUARY 29th:

Monday, January 25th:
Read background on the Civil War
Read “The Gettysburg Address” (pages 304 - 305)
Read “What the Black Man Wants” (329 - 330)
Analysis; Socratic circle

Tuesday, January 26th:
Please bring your vocabulary book; Unit 5 will be assigned today and will be due on Friday, January 29th.
Read “A Prayer” by Mark Twain
Analysis; Socratic circle

Wednesday, January 27th:
Please bring your grammar book; assignment on restrictive/nonrestrictive phrases will be given. This will be due on Monday, February 1st.
Begin reading “An Occurrence at Owl Creek”.

Thursday, January 28th:
Warm-up: Write five sentences using words from your unit 5 vocabulary with restrictive/nonrestrictive phrases.
Continue reading “An Occurrence at Owl Creek”.

Friday, January 29th:
Poetry:
Walt Whitman: “Song of Myself” and “Captain, My Captain”
“Behind the Blue and Gray” (pages 322-323)

Thursday, January 21, 2010

Weekly Agenda for AMERICAN LITERATURE
JANUARY 18th - JANUARY 22nd:

Monday, January 18th:
No school today in observance of Martin Luther King Day.

Tuesday, January 19th:
Go over your grammar homework on appositives.
Continue to go over your “The Cask of Amontillado” handouts
Break into groups of three or four and create short skits showing verbal, dramatic and situational irony.

Wednesday, January 20th:
Present your skits on verbal, dramatic and situational irony.
Your “Cask of Amontillado” handout is due today.

Thursday, January 21st:
Warm-ups: Write five sentences with appositives using your Unit 4 vocabulary.
Read “The Black Cat”
Present “The Black Cat” as reader’s theatre piece.

Friday, January 22nd:
Warm-ups: Write five sentences with appositives using your Unit 4 vocabulary
“The Raven”
Examine what makes “The Raven” so effective: internal rhymes; feminine rhyme scheme; rhythm; imagery; mood.
Answer questions on “The Raven”.

Friday, January 15, 2010

Tuesday, January 19th:
Unit four Vocabulary is due today.
Please bring your WRITER'S CHOICE TODAY; APPOSITIVES WILL BE ASSIGNED TODAY. PAGES 515 - 516; EXERCISES 4 AND 5 WILL BE ASSIGNED. THIS ASSIGNMENT WILL BE DUE ON THURSDAY, JANUARY 21ST.

Saturday, January 09, 2010










WEEKLY AGENDA FOR AMERICAN LITERATURE
JANUARY 11th - JANUARY 15TH

Monday, January 11th:
Read WALDEN by Henry David Thoreau
Examination of maxims, figurative language, etc.

Tuesday, January 12th:
Shortened day!
Please bring your vocabulary book with you today. Unit 4 will be assigned today. This will be due on Friday, January 15th.
Finish up WALDEN

Wednesday, January 13th:
Please bring your grammar book to class today. Appositives will be assigned; THE WRITER'S CHOICE; pages 515 - 516; exercises 4 and 5. This will be due on Tuesday, 19th.
Begin unit on Gothic Literature:
Biography on Edgar Allan Poe

Thursday, January 14th:
Read “The Cask of Amontillado”
Pass out vocabulary/literary handouts for “The Cask of Amontillado”.
Your unit 4 vocabulary is due today. Go over in class.
Once we go over in class, you cannot turn it in late.

Friday, January 15th:
Read “The Cask of Amontillado”
Go over the vocabulary/literary handouts for ‘The Cask of Amontillado”.